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Monday, September 30, 2024

AEW Five Fingers of Death (and friends) 9/23 - 9/29 Part 2

AEW Collision Grand Slam 9/28/24

Claudio Castagnoli/PAC/Wheeler Yuta vs Private Party/Komander

MD: I'm going to pass on Moxley vs Allin. I just have more to say about the Collision matches. It was very good. It's wrestlers pressing each other to the limit. It's exactly what we need. I'm not going to cover too much of the actual happenings in this trios match either. Obviously, Claudio was an amazing base; PAC is really finding himself in this role, is reveling in it; Kassidy, Quen, and Komander saw their opportunity and fought from underneath and showed fire with a never-say-die attitude.

But really, this was all about the interplay of Yuta with his partners. This will play into the Jarrett vs Page match as well, but balancing complex characters in pro wrestling is hard. At the end of the day, it has to transfer to the ring and has to live in front of a crowd, an opinionated, reacting crowd. You can't control these reactions except for through craft and cunning. We're in an age of instant response where people will tweet about a new episode of scripted television, but that won't affect those shows in the moment. It doesn't impact the actual art as it's happening in the same way as wrestling where the crowd is part of the overall effect.

It means that if you lead with real complexity, you could get a split crowd when you don't want that at all. But if you can actually pull it off? Well, then you get something that only a tiny fraction of all pro wrestling ever has managed to deliver upon and that has almost always been a success.

Wheeler Yuta is the most interesting character in wrestling right now. By its inherent nature, this moment can’t last. He's going to make a decision one way or another. Then, maybe he'll be a heel, one who has to live with his decision and his actions and the constant peer pressure around him. He'll be the living, breathing definition of a young man trying to justify what he had done and what he had become, likely by throwing himself entirely into the dark vision that Jon Moxley presents. He could be a heatseeker, bolstered by his betrayal, getting under everyone's skin, made all the worse because deep down, everyone knows that he's just weak. Yes, there are some parallels to Jack Perry that they'll have to navigate but it's not quite the same.

Or he can lean hard into what the fans want right now, can master his rage and frustration and emotions and stand for something. He can be the light that continues to shine after Bryan Danielson has gone off into his retirement. He can be the nucleus for a new Super Generation Army, someone to actually be elevated into a star. He could be a Kobashi who represents the fans' love of wrestling and the spirit they all want to have inside of them. Remember, AJPW didn't push Misawa and company to the moon right after Tenryu left. They held steady on with hosses like Hansen, Doc, and Gordy on top until the younger talent was built up, into 1991. That paid off for years. Yuta can be built in the same way. He can press up against PAC, Claudio, Moxley again and again, getting just a little farther each time, until he finally overcomes. Is that something AEW wants? Do they want to sacrifice part of the now, maximizing the moment, in order to truly build people, to not just give them one big feud, one big moment, and then shunt them back down onto the card because they don't fit the Dynasty dynamic?

I don't know, but right now he's Schrodinger's Wrestler, trying to control his own emotions, with all of us unsure where he’ll land. Jon Moxley has given into his emotions. Bryan Danielson has conquered his own. Yuta is in flux. He's a trained killer with a good heart. It's so essential here to have Claudio and PAC clearly coded as heels in the ring, ones that believe in something, ones with a chip on their shoulder, ones with a point, but ones that are absolutely painting a crystal clear picture. The crowd knows exactly how to respond to them. They're the grounded stability that makes this sort of complexity possible. Claudio has an almost familial expectation for Yuta, simple and direct. PAC, finally at home in a way that maybe he never was with his last set of partners, in turn has an almost bestial glee at the idea of Yuta giving into the twisted spirit and joining them. Every cut to him snarling and smiling provides the exact color this storyline needs.

And Yuta walks the line like the star he could be, believable, compelling, engaging. He's an unlikely protagonist but wrestling is an unlikely business. The fans have cautiously let him into their heart, for in so many ways he represents them in the face of what’s happened. If a TV deal is just about to be signed, there's never a better time to take a risk. It could well be time to make a leap of faith and take a gamble on Yuta for the sake of the future, no matter which way he falls. After all, there isn’t currently a better story in wrestling.

Jeff Jarrett vs Hangman Page (Lumberjack Strap Match)

MD: And Hangman Page is the second most interesting character in wrestling. I think this needs less breaking down, but I do want to note a couple of things. Hangman won the match. After doing so, he slapped the mat like he was a fired-up babyface. Then he hung a guy. Before that came a low blow and the Deadeye. Before that came him basically fighting off nine people, including someone's wife and a giant, all with straps. Talk about being all over the place narratively. Or at least, it should have been on paper. But it worked on the strength of Hangman Page and Jeff Jarrett as performers, maybe with a little of Tony commentating based on what Page had just threatened to do to him too. That's super impressive (and incredibly compelling) when you think about it.
 
What I loved most about this one, however, was how they treated the gimmick. Maybe a straight up chain/dog collar/strap match between the two would have been more visceral and gripping, but since they decided to go this route (seemingly to transition Page towards the BBG; small concern there as they're not the same sort of constants that Claudio/PAC are playing - it could get messy), the way to do it was to treat the straps held by the lumberjacks like a big deal. They built to Page getting whalloped by basically everyone and they built to it smartly. That meant him getting pushed towards the apron early on and treating it like a huge thing, something to be avoided at all costs. He took it seriously with total earnestness. There was no inkling of irony. It reminded me of how Onita would get over the exploding cage early in those matches. If you build up a gimmick as something the wrestlers are wary of, then the fans are going to care about it too.

They were laser-focused and consistent with it. When they did play things as cute, for instance when Jarrett got tossed out to his cronies and they gave him a hug and pushed him back in, they immediately turned it by Page throwing him out the other side of the ring so that the heels over there could give him some shots. Therefore, when Page finally did hit the floor, him getting whipped as a huge deal. Remember, this was a show with a Texas Tornado tag and a Saraya's Rules hardcore match. They'd seen crazier things than even Satnam whipping someone, but none of it was built to like this. Just impressive stuff overall. If Hangman can keep some of these lessons close to his heart moving forward, the sky is the limit for him. I know a lot of people think he was always great, but this little bit of discipline, this little bit more of giving himself over to believing and getting the fans to believe, well, it can take him even further, further than he's ever been.

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