Found Footage Friday: PIPER IN LA~! ROCK 'N' ROLLS VS. TN VOLS~! 83 EL DANDY~!

Elimination Tag: Roddy Piper/Ron Bass/Moondog Mayne vs. Black Gordman/Alex "KO" Perez/Tommy Sawyer LA 1977

MD: A massive tape of Spanish Language TV LA/SF went up a few weeks ago. It's timestamped to a degree but don't look too closely at that or else you'll think there's a Piper vs Race match we've never heard of before; it's just the set up. This, however, we do get in full and it's a lot of fun, another good look at West Coast 70s heel Piper and especially Moondog Mayne, and it also gives us babyface hero Black Gordman which is not a role we usually think of with him. Perez was a legendary puncher for who I don't think we have a lot of footage and Sawyer is not Buzz Sawyer but a territory babyface from the late 70s. At this point, Bass and Piper were the Americas Tag Champions and Mayne was positioned as the centerpiece. The VQ is terrible. The sound's off. It's still history and worth watching.

Piper got it already, feeding into armdrags and then keeping the face in his corner at first opportunity. We only see a minute of Perez in here but Piper eats his punches perfectly before making him slip on a banana peel to eliminate him on a roll up out of a slam attempt. Mayne was running from Gordman throughout here. It was hard to get a great sense of Sawyer but he had decent fire. Piper managed to eliminate him too by tricking the ref into thinking he tossed him over the top. After that, Mayne had a great moment of getting his partners down to the mat and drawing out strategy to his finger now that it was 3 on 1 but the 1 was a guy that none of them wanted to face. Gordman is sort of a reverse Ricky Steamboat, someone I've pictured as a lifetime heel but he was pretty great destroying everyone here until the numbers game got the better of him. There's a straight up Piper/Bass vs. Gordman/Sawyer tag in this footage too and I want to check that out later if this was any indication.  

El Dandy/Rey David vs. El Climax/El Modulo EMLL 9/20/83

MD: 17 minutes, a little clipped, and without a finish, but think of what we do get instead! Young experimental rudo Dandy matched up with a very game Modulo. Climax's cool gear. An obviously dangerous granny on the outside who is going to jump up out of her chair with the promise of unfilled violence multiple times. I'm not kidding about the experimental bit either. Climax was in one or two matches on the DVDVR 80s set, if I remember correctly and here he and Modulo have nice, flowing exchanges, but they're not who we're here to see. 

Dandy and David worked a little tighter. I'm fairly certain Dandy wasn't even twenty here but he had a real slickness and precision in how he moved from one hold to the next and a ton of agility and flexibility. They did the hold where both guys end up on their head facing each other with their legs tied up. Sometimes you get punches out of that but here Dandy rolled out of it in way I don't think I've ever seen. When things broke down, there were some double spots with David taking down both Dandy and Modulo that didn't look quite right but that popped the crowd anyway, so either they were novel for the time or the crowd just wanted to go along with whatever. And to be fair, there were other spots that seemed a few years before their time that absolutely worked as they were meant to.

This gets cut off but not before we see Dandy get tossed all around the ring, taking turnbuckle bumps like a champ. It's pretty obvious that he was a special talent even so early into his career.

Rock 'n' Roll Express vs. TN Vols (Reno Riggins/Steven Dunn) MCW 1997

MD: The advent of DVD burning allowed for a shift in how we watched wrestling. It became easier to collect and share whole swaths of it. With that, there was a chance to reevaluate instead of just follow along or cherry pick the very best. The DVDVR sets are a great example of this, driving reevaluations of Brody or Tiger Mask or Crusher Blackwell or Greg Gagne, sometimes negatively, sometimes positively. The WWF set was the first and one thing that came from that was a reevaluation of the previously lionized 80s tag scene. It still pokes at the edges of conventional wisdom, the idea that the Hart Foundation and British Bulldogs and Rougeaus and Rockers and Killer Bees and Can-Ams and Strike Force were a part of some sort of golden age. Instead, around the time of the set, the phrase "heel-in-peril" was pretty easily thrown about. If you spend the first half of the match (or even longer) making fools out of the heels and constantly keeping them on their toes, there's far less relative time to get heat and build to the hot tag and the comeback. The fans in the arena might have found it entertaining, but they wouldn't be emotionally invested like they should be. The balance is all off for that. One could argue that the point of these matches on their placement in WWF cards was actually to drive that level of entertainment, but it certainly didn't match up with the conventional wisdom that remained twenty years later. And the worst guy in the world when it came to this sort of structure was Dynamite Kid, especially, as you might imagine, post-injury.

So what does all of that have to do with this? I don't think any of the teams listed above could really make it work. I've maybe only ever seen one team that could, and that's the Rock 'n' Rolls. They had fun, quick, offense, tandem in the set up if not the delivery, but a lot of teams can be entertaining in a shine and a lot of teams had a connection with the crowd. Really, it comes down to Morton's ability to sell. One minute of him getting beat on, fighting for a hope spot, getting cut off, getting beat on some more was worth three or four minutes of almost anyone else. There's a moment in here where he is just reaching out towards the camera as if asking everyone at home for help; we see it on that camera just for a second before things switch back to the wide shot and you can watch him working and garnering sympathy like no other. And he could manage both that and playing to the live crowd at the same time, because he's Ricky Morton in a tag match. 

That's not to say the shine wasn't a lot of fun and that the Vols didn't stooge like crazy, because it was and because it did. They were nice and measured with it, setting up a spot, playing on the fact the Vols had only recently formed, paying it off with some miscommunication or just getting outquicked or outwrestled, having them take a powder and sell what happened, then set up the next spot and repeat. The Vols did their power: For instance, Riggins hit a big shoulder block showing off his strength and then ate an inverted atomic drop and sell it all around the ring. The shine lasted about two-thirds of the match, but Morton, after he missed a corner charge, more than made time with his selling with Gibson helping things along by working the apron. When it was time for the hot tag, the fans went up for it and things petered out to a non-finish because this is a TV match after all.

I only wish we had some of these old R'n'R vs Nikolai Volkoff (which happened early in their Mid-South run but weren't taped) or Ivan Putski (which didn't at all happen and were just a baffling suggestion) matches that Michael St. John and Billy Joe Travis were inexplicably talking about as they got confused about former opponents. (I also hope someone filmed one of the Wolfie D vs King Mabel matches that were advertised for live shows during the break). Still, no one's going to complain that we got an 18 minute 97 R'n'R match against game opponents.