Tuesday is French Catch Day: Mantopolous! Lemagouroux! Weicz! Delaporte!

Vassilios Mantopolous vs Gilbert Lemagouroux 1/24/65

MD: As we're just on our last run (that we know of at least) of matches here, I love to look at the presentation and some of the cultural bits, even if they are still alien to me. This was another studio show. Here we have an announcement up from that conditionally, as it had not been confirmed, François Bonlieu, French alpine skier and gold medalist in the 1964 Winter Games, was going professional and would compete at the Professional Championships in the US. 

Bollet (introduced as a grand poet) was there and just nodded a long as they discussed the matches for the night. Starting with the lightweights (which were heavier than in boxing since the heavyweights were heavier). Lemagouroux was the champion of Brittany and Mantopolous the champion of Greece. When the fans got up for Mantopolous mid-match the commentary noted that this was France appreciating its Greek roots and applauding the legacy that Homer bestowed upon them. Funny stuff.

SR: Really good match. Part of me is just happy to see some wrestling after that travesty with the bull, but this was genuinely very good. I expected poor Gilbert, who didn't stand out in a big way in the tags we've seen him in, to be completely run over by Mantopolous, but he stood his ground and actually dominated quite a bit. Gilbert is really solid, goes along really well with Mantopolous stuff, really liked the ways in which he'd just yank Mantopolous down by a wrist or armlock. This was in front of a big curtain, like a theater, and it made me wonder if it was another studio match kinda deal. We don't see the audience, but we hear lots of applause, and the match was worked so simple that anyone can understand it. Textbook stuff kinda. There was a segment where Gilbert kept his opponent in a headlock, always resorting to hair pulls to maintain control, not something we've seen a ton of but it was really well done. And Mantopolous is always impeccable, really explosive and spectacular when it's time to make an escape. His flying headiscissors were just weep-inducingly beautiful. In the end Gilbert didn't stand a big chance but they topped it of with a perfect sequence. It's weird this kinda stuff doesn't stand out in a huge way in the grand scheme of French Catch but in another universe it's  like the best studio TV match ever. I'd part hard pressed to think of anything better to teach a new audience about the magic of Catch.

MD: I agree with Sebastian here. This is just perfect Intro-to-Catch, at least the lightweight style. As accessible as some of those shorter Prince vs Noced/Richard touring type matches. Like those, you could pull out any number of gifs such a Mantopolous getting out of a hamerlock by going not just up and over but through the legs to turn it into a roll up, or even the way he'd go up for a dropkick but do a headscissors takeover instead, or the multiple kip ups when he was armbarred before he escaped out of it, or the way he'd step up on Gilbert's leg to vault up and over him, and I can go on and on. But what made it all work was that he had to struggle for each of those escapes, that Gilbert sold them with frustration and meanness, coming back with enraged kicks and stomps, and that each and every one was built to in its own way. That's part of why this is perfect to show, because you see all the exclamation points, but also the meaningful, direct sentences that led to them. Just beautiful, beautiful wrestling all around.

Eddy Weicz vs Roger Delaporte

MD: Pre-show they had talked up Weicz as world champion and acknowledged as such by both Americans and Europeans. Carpentier is amazing. My appreciation has only grown and grown. He is a star. He always presented himself on TV better than his peers and this show gave him even more opportunity to do so. Maybe it doesn't always make for the best matches, but I always come out impressed by his savvy. He's always punctuating things, always getting an extra shot in, always standing up to the ref and his opponents. he has that underlying element of being a bully that fans love. Post match, when Bollet is checking on Delaporte, he dropkicks him for no reason and then hits a spin kick on the ref and the fans love it because of course they do. He's always reaching, always engaged, always putting an extra flourish on things. 

And maybe there's even an extra level of construction to the spots. If this was Delaporte vs Leduc they'd build to the toupie headscissors takeover by making Leduc really work for it. Here they do that (to a lesser degree) but then do a spot where Carpentier pumps it repeatedly and then one where Delaporte holds on to the ropes so he doesn't go over until he finally gets his comeuppance. I really do get the sense he was decades ahead of his peers in some ways and that's why his act transferred so well.

And of course, Delaporte is one of the great villains of the 20th century because he sells everything. He sells the indignity of life at every point. There's a moment towards the end where he tries for (another) cheapshot, Carpentier moves due to the crowd warning him, and then, just because he couldn't get his cheapshot, Delaporte has a fit. And it's awesome. It's selling the emotional blow of it all. That obviously resonated with both me and Sebastian as you'll read below. They'd do these bits where Carpentier would get the better of him repeatedly and he'd just lose his cool and start choking him. It was a moral victory for Carpentier even if it was Delaporte leaning down on him. And then when they got slugging, he was just so good at it. He's sort of unassuming at first and doesn't do the flashy things (even though he can) but what he does do he was as good at anyone doing, and as I said, this was just a perfect setting for these two.

SR: Well, maybe this is the perfect studio wrestling. Great mix of wrestling and bullshit. Wiecz is in a ridiculous striped shirt. Delaporte goes after him at the bell, and now the crowd seems indeed to know what's going on so maybe they aren't that unfamiliar with wrestling. Wiecz literally flips off Delaporte, cartwheels around him a bunch, does a weird hip shake, and Delaporte scurries for the hills, only to immediately try a dirty takedown through the ropes. Awesome stuff. They just keep going like this, always doing a little something to keep things engaging along with the wrestling, which is mostly Delaportes basic holds vs Wiecz more athletic stuff. A bitch slap here, a little kick in the taint there, some pretty hard looking knuckle punches etc. I love the crowd engagement. When Delaporte even tries to grab the ropes for the slightest advantage, they are immediately in on his case, alerting the referee. Later, Delaporte tries to sneak up on Carpentier from behind, but the crowd alerts him in time, allowing Carpentier to evade the assault. Of course, Delaporte cusses them out for that. Is it really such a surprise the fans were super engaged, when they could so vividly observe their engagement have an immediate effect on what happens in a match? That's what sets wrestling apart from movies and theater. You can shout at the movie all you want, the murder is still gonna happen. Not in wrestling though, you can participate. That kinda stuff is pretty much absent from modern TV matches where every move is carefully choreographed and there's little room for interactions like that. Maybe having every match go 20 minutes to allow for stuff like this really is the way to go. The finish here is cartoonishly violent as Wiecz puts the Inoki-style falling indian deathlock on Delaporte but instead of falling next to him he drops his bodyweight onto him, squashing poor Delaporte to a smear as is his rightfully comeuppance. After the match Bollet also comes in in a suit and gets a savate kick too for his troubles. Way too fun.