Found Footage Friday: ROSE~! WISKOSKI~! BASTIEN~! ZULU~! MARTINDALE~! ARAKAWA~! MARKUS~! DANDY~!

Tommy Martindale vs. Mitsu Arakawa NWA Chicago 10/22/54

MD: According to our buddy Ohtani's Jacket, Arakawa was Japanese-American and his gimmick in territories (though not here) was that he was a Hiroshima survival hellbent on revenge. This went about twenty in one fall and was solid stuff. During the pre-match stomping and bowing Martindale flew forth with a dropkick to get things going. He was a chippy and fiery babyface, always trying to work his way out of holds. In that regard, they seemed fairly evenly matched. Arakawa controlled the first third with a series of headlocks, constantly switching from one side to the other and taking him over. Eventually he used a "back bend" that he had been working for to get a reverse headlock in and break it up. You have to love the struggle. The fans did too. When Martindale went for a chinlock later and Arakawa had to escpae by going to the ropes, he drew big boos for it. These fans were conditioned to see wrestlers fight to get out of holds and everything was better off for it. Towards the end, Arakawa started to fight dirty with throat shots. Davis said Martindale had a boxing background but he didn't get to show it here. What he did get to show was that perseverence in constantly trying to fight out of holds, as he turned a body slam attempt by Arakawa into a pin and scored a banana peel victory. Nothing groundbreaking here but you have to love that underlying sense of struggle that could make six minutes of headlocks enjoyable. 

Buddy Rose/Ed Wiskoski vs. Red Bastien/Ron Pope Big Time Wrestling 11/4/78

MD: I don't know how new this is in general but it's a recent Orcutt upload and it's new to me and I've seen as much Rose as I can find. This was to establish Dr. Ken Ramey as Rose's new manager. Pope was a black strongman with a headbutt and a bearhug who I'm not super familiar with.The first five minutes of this were all worked around headlocks and while Wiskoski is good feeding and stooging for them, you can see the difference with Rose. He goes over perfectly for Bastien's walk up headscissors takeover in the corner, the legs going over in a picture perfect manner but one that still feigns impact and heft as opposed to seeming cooperative. Rose had a way of making over the top bumps seem completely natural. Likewise the way he'd flail his arms as far as was humanly possible during headlock cranks; it was for the last row, incredibly memorable, but still somehow felt like that's just what his body would do. Wiskoski was clunkier going over and more artificial on the flailing and it's not like he didn't bring things to the table. He just wasn't Buddy Rose. That's the thing though. No one was. He just instinctively knew what to do at every moment. 

The heels took over when Bastien went to the well once too often and Rose turned it into a belly to back. They got heat for a few minutes before a big comeback where Buddy ended up slammed by Pope and in Bastien's fireman's carry. When he got put in it a second time, they had a great finish of Ramey pulling Bastien's tights behind the ref's back so that Rose would go sailing over the top to draw the DQ. Very creative and it reminded me a little of the moment a few years before when Heenan debuted as Bockwinkel and Stevens' manager. Obviously this didn't have the same staying power, but it was a very effective capping of a pretty entertaining and purposeful TV match.

ER: I've probably been to Sacramento more than 98% of people who write about pro wrestling and I have zero familiarity with the Roy Shire Sacramento shows. I dated a girl whose uncle worked for KTXL as a camera operator. He was not a wrestling fan, he just filmed whatever was being filmed that day at KTXL. He viewed pro wrestling no differently than he viewed news broadcasts, talk shows, or people renting the studio to record their own paid programming. But he was still someone with up close wrestling stories from the sidelines, who did remember a lot of guys who came through Sacramento. Rocky Johnson was a name he brought up the way you'd bring up a college roommate's name, the way an old boss of mine used to talk about Pepper Gomez. This era of wrestling is underwritten about in general, and the Bay Area territory is way underwritten compared to other territories. Red Bastien is under-talked about because his career ran from 1950-1980 instead of 1960-1990, so most of the footage we have is from him in his late 40s. Ray Stevens too. The Bay Area guys all peaked in years we don't have, but now we get to watch Buddy Rose and Ed Wiskoski working a Sacramento TV studio within their peaks. 

Matt talked about Buddy Rose because Rose is a guy always worth talking about and seeking out. He takes multiple backdrops from Big Ron Pope and swung his loose floppy arms around in a side headlock like the Mighty Zulu had hit him with a second tranquilizer dart. Buddy is great, and this is a great Buddy match. But I love Ed Wiskoski and Matt shit all over him. Ed Wiskoski is great because he had two really great wrestling names: Ed Wiskoski and Col. DeBeers. He has some of my favorite wrestling posture. I love how he stands board straight like a Marine, like late 70s Nick Nolte. I love how he has a mustache and flattering shag cut, like late '70s Nick Nolte. His haircut and posture make him look like a Shakespearean surfer, and I love when he does his full rigid body flip over bump. Ed Wiskoski is a hulking version of Tom Atkins in Halloween III, the kind of guy who would show up to a street fight in brown corduroys. When he fights Bastien, he looks like and wrestles him like he's Bastien's younger, bigger brother. Buddy Rose is a guy who can and does steal many of the matches he's in, but Wiskoski wrestles like Chuck Connors would have wrestled. I get something out of him I don't get from any other wrestler. 

Gran Markus Jr/Monje Negro/Milo Caballero vs. El Dandy/Apolo Estrada/Monarka CMLL 1989

MD: Sometimes we get a 13 minute match and it's the full thing. Sometimes, like here, we come in at the start of the segunda. There's a short bit to begin where Markus does a pretty good job basing for Estrada's flashier stuff (think that was the main pairing) followed by a bit of dissension, I think because Dandy didn't like Estrada kicking Markus out of the ring (a tecnico taking pride in being a tecnico?) but then I got that from the commentators and they are unreliable narrators as usual. Regardless, that dissension helped the rudos take over. Of note, Caballero is a rudo here, which isn't what I'm used to and Monje Negro has to be up there in age, but he cut a forboding oversized figure, especially when put next to Markus. He had a knife kneelift and lawn darted Dandy right into Monarka, so that was fun. 

During the beatdown Markus really leaned on Estrada, bloodying him, gnawing on him, and tossing him into the third row in the most satisfying way. I don't remember Markus gnawing on bloody people often but the aftermath was a great visual with the white mask. The comeback was pretty great too as Estrada dodged a Markus knee as Monje Negro was holding him and the two ended up on their knees throwing shots at each other. Estrada got a few pin attempts in before Markus just jammed him, slammed him, and crushed his face with a nonchalant kneedrop. They cycled through after that, with Dandy and Monarka finally locking the other rudos into La Estrella, but Markus caught an Estrada body press, tossed him onto the mass of bodies in the submission, and then pinned said mass. I have to admit that Markus kind of looked like a beast here. Anyway, post-match kids got to hang out with the tecnicos in the bloody ring, so all's well that ends well, I guess?