Matches from NOAH Mohammed Yone 25th Anniversary 10/18/20

 

Alexander Otsuka/Mohammed Yone vs. Akitoshi Saito/Masao Inoue

ER: It's 2020 and these boys have all beefed up to the degree that Akitoshi Saito might be the smallest man in the match. Otsuka especially needs to just sport Butcher singlets at this point. He looks like best possible Dana White. Inoue brings his failson charisma to this early, attacking Yone at the bell and having it immediately blow up in his face when Saito ducks out of the way of a clothesline that Inoue doesn't. So Inoue spends the next several moments taking legdrops and axe handles all while holding his stomach as if he just won a hot dog eating contest and his friends keep trying to hit his belly. The tone changes noticeably when Saito finally tags in, as Yone starts throwing big impact lariats to counter the heavy leather Saito comes in swinging. Saito/Otsuka is a dream pairing that's hardly happened, and we get only a taste here (ending with a great Otsuka German suplex). There's funny Inoue stuff, like Saito dropping Yone before tagging out and Inoue getting into the ring and stretching his back before just running and covering Yone. Inoue does some eye rakes, he and Saito run at Yone with some slow back elbows and lariats, and Inoue does more selling where it looks like he accidentally walked into a screen door. I was shocked to see Otsuka break out the giant swing on Inoue, but happy to see it. Everyone is a little sluggish here (they're old and meatier, it happens), but I laughed all throughout Inoue shaky legs falling to the mat every time Yone tried running at him. This is the kind of match that would have been a 2004 list match, but still makes me smile in 2020. 

PAS: This is more an Eric thing then a Phil thing. I am here to see Otsuka and we don't get enough of him to make it worth my time. I appreciate Inoue comedy, although conversely it works better in a more serious atmosphere then in a match with other people up for the yuks.  I thought Yone unable to hit a move on Inoue because Inoue is too old, but he is also too old to successfully execute a roll up, so it goes both ways.  

Daisuke Ikeda/Ikuto Hidaka/Mohammed Yone vs. Yuki Ishikawa/Naomichi Marufuji/Junji Tanaka

ER: This was great, and could have been even greater had it been worked more like a WAR or Kings Road or Futen trios. The ingredients were there but it doesn't take advantage of some of the built up drama and instead pays it off in more of a feelgood anniversary show finish than heat, but the highs are way way up there. We get this awesome surprising big babyface performance from Junji Tanaka all throughout this tag that really plays as the unexpected highlight, but the people you went in hoping to see perform, all performed. The Yone/Ishikawa opening was cool, with Yone coming in like an aggressive Batt guy and popping Ishikawa, leading to Ishikawa doing a cool sweep to cause Yone to miss a punt and slip, with Ishikawa going in for the kill with a Fujiwara. But once we get into Ikeda/Junji stretch the match really opens up into something special. Ikeda dishes out one of those cruel beatings he's known for, instantly turning Junji into a huge fighting babyface. It's a sadistic old dude punishing a tough but weaker old dude, and it came off like Kurisu kicking Mitsuo Momota's ass. Junji is out here in his mawashi, trying to put both cheeks into everything, and Ikeda would just punch, kick and lariat him back to the mat. It was feeling like the same kind of Kantaro Hoshino performance we'd see in those 80s New Japan elimination tags, all clearly building to Ishikawa and Marufuji absolutely wasting the guys across the ring from them. Ikeda's beat down on Junji goes on long enough that it gets uncomfortable, like those old AJPW beatings of Kikuchi, but I loved how Ikeda sold for all of Junji's little comebacks, including a nice headbutt and an elbow that puts Ikeda down on his butt, holding his eye. Finally Junji makes the hot tag, leading to a crowd wildly on his side as Marufuji charges in and Hidaka, Ikeda, and Yone all trip over themselves to bump wildly for this molten lava tag.

I'm just kidding, Marufuji completely tanks any of the actual built up heat, stood idly by watching his teammate get his body and limbs kicked in, and actively decides to turn this into a more standard Anniversary show main event. He just somberly strolls in, then proceeds to chop Hidaka in the corner for the next 4 minutes. Yeah, yeah, Hidaka's chest is raw and bright red when it's over, but it was literally Hidaka with his arms hooked over the top rope and Marufuji just throwing chops, slowly. It felt like more of a gym hazing than anything that would make an actual match interesting, and lo! When it comes to actual sequences, Marufuji isn't very interesting in those either. Hidaka has this evergreen goodwill with me just from showing up as a then unknown (to me) in ECW over 20 years ago. I always like when he shows up in something I'm watching, even though I wished he had worked more Batt and less juniors wrestling here.

The Ikeda/Ishikawa sequence is worth the price of admission. If you weren't as captivated by the Junji performance as I was, you're still guaranteed to love Ishikawa sharp elbows and hooking punches to the curve of Ikeda's jaw, and of course Ikeda's straight fully body right hands to Ishikawa's ailing face. A low key best moment of the match happens right after Ikeda decks Ishikawa: the camera cuts to Yone, standing on the apron with a huge grin on his face. It did not seem like the kind of grin Ikeda's partner would be flashing, instead it looked like the grin of a big fan. In that moment you really got the sense that Yone wanted Ishikawa and Ikeda in this match because he's a tremendous fan of their specific thing, and wanted the best seat in the house to view that thing. I can't blame him, as their exchanges here were as good as any of the dozens of great Ikeda/Ishikawa exchanges we've seen for decades. What amazes me most about their pairing is that there is no "home base". There isn't a comfortable set of spots that they can hit every time, branching off from those spots depending on how long they each want to solo. This is a new song every time, played in the same key, but totally different arrangement. You're going to get punches to the face, but there are never any sequences that are repeated in the same way. The greatest pairings in wrestling history (Santo vs. Casas, Rey vs. Psicosis, Flair vs. Steamboat) all have spots and elements in common with their prior matches. Ikeda and Ishikawa just go out there and play free jazz with it, every time, and I've never seen them sound like they're using different different Fake Books. 

PAS: This is a hard match to rank, as there is nothing in any of the matches on our MOTY list as bad as that Marufuji hot tag, not only the endless comedy spot chops but then the interpretive dance step superkick misses with Hidaka. Just dreadful. But there are also few things on our list as sublime as another redux of the horrific dance between Ikeda and Ishikawa. As disgusting and gorgeous as it always is, the punches and headbutts landing with that hollow sound you really only get with these guys. Yone and Ishikawa had a killer opening section, Tanaka gets massacred by Ikeda in a very Ikeda way, but we also had a finish based around a Junji Tanaka comedy spot. I dunno, color me confused.  Ikeda vs. Ishikawa is the best wrestling gets, and I think the highs are higher then the lows are lower. 

2020 MOTY MASTER LIST