Segunda Caida

Phil Schneider, Eric Ritz, Matt D, Sebastian, and other friends write about pro wrestling. Follow us @segundacaida

Monday, July 20, 2026

AEW Five Fingers of Death 7/13 - 7/19

ROH TV 7/16/26

Eddie Kingston/Ortiz/Adam Priest/Tommy Billington vs Shane Taylor Promotions (Shane Taylor/Lee Moriarty/Shawn Dean/Carlie Bravo)

MD: I can hear it in your head.

Ospreay VS Brooks Was 8 Minutes Long With Will Working From Underneath When He's The Title Contender? What's The Ticket Sales For All In? How About Summerslam? Did The Dynamite Rating Hold Up? What Did Collision Do Against SNME? Danhausen Brought Out Karl-Anthony Towns? WWE Is Booking New York? Does That Mean There'll Be A Grand Slam To Counter SaudiMania? Someone Posted A Hogan VS Michaels Clip. Got To Post A Take On That. Dave Didn't Post The Mercedes/Maya Star Rating Yet? But He's In Arena Mexico. What's Going On With Sammy? What's Aminata's Contract Status? What About Bayley? Alvarez Says We Should Criticize AEW. Some Fans Say We Just  Should Focus On The Positives. Why Am I Typing This Like Ric Flair Tweets? What Did Styles Say This time? It's G1 Season. Big TJPW Show To Catch Up On. The TNT Champion Is Challenging at the PPV Again? Liv Morgan Supports Conversion Therapy? Tony Khan Is Playing 5 Star Booker? The Triangle of Madness Have Stardom Titles Now? 

Stop

Just stop.

Breathe. Take a breath.

None of that is going anywhere. 

Or it is, but you don't need to go with it for a few minutes.

It'll be there when you get back. Or the next thing will. Or the next. Or the next.

And you won't miss much of anything. It's fine. It'll be fine. There's something better for you out there.

A match.

A professional wrestling match.

It's full of story but not part of any storylines. 

It didn't go viral. Haven't seen a single clip from it. 

But it has eight practitioners of their craft, artists. Guys who have been around the block, guys who are on the rise, different sizes, shapes, styles. 

Twelve and a half minutes of freedom from everything above. It's on Honor Club. You have to want it to watch it. You're going to be surrounded by people who want it. It's in front of a studio audience there to see hours of wrestling. Small, intimate crowd. People who care. People who love it. People who are passionate enough to love it that much for what it is and not for all the noise around it. 

Where's Eddie Kingston been? 

Here. He's been here. Teaming with Ortiz. Wrestling with the younger guys. Wrestling the younger guys. Staring off against Shane Taylor. And yeah, you've missed him, but you don't need to miss him. He's right here waiting for you. 

Just get off the never-ending train to nowhere. Take a breath. Relax. Watch some pro wrestling that exists for the sake of pro wrestling. To entertain a crowd. To make Honor Club worth the price. To get guys reps. To create something out of nothing.

What does it look like when Eddie and Ortiz team with Priest and Billington? What does it look like when Shane Taylor Promotions come out at full strength? What does the clash of the two look like?

Aren't you curious? Even though it's not going to score you any points in any online argument. Even though it probably won't even get a look from the Observer. Even though this episode of ROH only has ONE vote on Cagematch. 

Doesn't that still sound interesting? Doesn't it sound more interesting than a lot of things that you feel far more obliged to watch and follow and post about?

Trust me when I tell you that it's better for your soul.

It was sure better for mine.

And yes, there were stories galore here, because characters drive stories and look at these characters. Ortiz and Bravo to start. Does Bravo respect the Code of Honor? No. He's tells the crowd to shut up and has a single finger on each hand for Ortiz instead. Mood set.

They trade rolling leg picks. Bravo goes under and around the leg. Ortiz gets behind him with a hammerlock. They burst into rope running. Ortiz drops down, gets a leap frog, hits an armdrag. Great way to start a match.

More stories. Eddie comes in and hits a Japanese arm drag on Dean. Dean yelps that it's an illegal move in the United States. Small crowd theatrics, maybe the best kind? Billington tagged in intending to chop down Taylor. Fearless bulldog mentality but up against a tank. Contrast makes things interesting. Styles make fights. It took Billington, Priest, and Ortiz working together to take him down. Things (like Taylor's size) mean something, have significance. 

Sometimes you want to see like vs like too. Adam Priest is any style. Lee Moriarty is the pure champ. They face off and Moriarty goes for a rolling leg pick of his own, but Priest had seen it twice so far in the match and jams it with a nasty back elbow to the jaw.

But then, Priest gets swept under. Transitions are structural, as important as any part of the match. Moriarty distracts the ref as Priest hits the ropes. Dean trips him and hits a stunner onto the apron, Bravo hits a knee drop off the apron, Taylor hits a legdrop on it. It takes mere seconds and changes everything.

Adam Priest, maybe the best heel of the 2020s, is out there playing face-in-peril, constantly reaching for his corner, constantly dragging himself across the mat, looking for any sign of hope and trying to create his own when there's none to be found. But STP stretch and do their thing. They toss him to the floor and swarm him. Bravo works small, little flourishes full of confidence. Dean has that same confidence, but he works bigger and more over the top with it. Moriarty is precise, contorting body parts, hitting suplexes, holding bridges (just as confident). Taylor is a wrecking ball. Priest tries to fire back on him. It doesn't go well for poor Adam. 

Nevertheless, Priest doesn't quit. He doesn't give up. He keeps on running, keeps on fighting, and manages to double down with Bravo after simultaneous clotheslines. He gets the hot tag. Eddie comes in like the (beloved) maniac he is. The Kobashi chops in the corner. He directs traffic. His team unloads and then toss Bravo in for an exploder. STP comes back and do the same to Eddie, tossing him in to a Taylor uranage. Things have broken down but even in chaos, there's a beautiful undercurrent of symmetry and order.

It's an 8-man tag. Plenty of people to break up pins. Plenty of offense to feature as well. Things waterfall. One guy rushes in to hit a bit of signature offense, then the next, but it all happens so quickly, and here in the finishing stretch after the meat of the match has already been consumed, that you can relax and enjoy it. The subsequent dives cleared the ring and the finish had Priest's half crab, a missile dropkick out of nowhere by Billington and dueling roll ups leading to the pin.

The progression was just right. Opening exchanges. Shine. Heat. Comeback. Chaos. Completion. All underpinned by contrast and character.

Sometimes a match can "just" be a match. That's not an insult. It can be wonderful. That doesn't mean it lacks story. It doesn't mean it doesn't draw you in. In some ways, it helps you let go and can draw you in all the more. It cuts out the distractions and lets you focus on the passion and the craft.

That doesn't mean there aren't things coming out of this I'd want to see too. We got a taste of Priest vs Moriarty. What does a Pure Title match between the two look like. We've seen Infantry vs Ortiz/Kingston once, but there's way more left on the bone. And yeah, Billington wanted to challenge himself against Shane Taylor. If he wants it that badly, I'd want to see him have the chance.

In a world without house shows, where the analytics of every quarter hour of TV is carefully examined, where fans are pushed by the algorithm to care most about lore, divisive arguments, and what's trending, a match like this can be a breath of fresh air.

I got the train for twelve minutes and just enjoyed myself. You can too. You'll be better off for it. A match like this is a gift, an increasingly rare gift. Log off for a bit and go open the present. 

You can be present. It's okay. The noise will be waiting for you whether you want it to be or not.

Enjoy the gift while you can. We don't get enough of them anymore.

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Monday, May 11, 2026

AEW Five Fingers of Death 5/4 - 5/10

ROH TV 5/7/26

The Infantry vs Eddie Kingston/Ortiz

MD: I don't get a lot of chance to talk about the Infantry. I'd like to talk about the Infantry. I'm going to talk about the Infantry. 

If you asked me my take on Bravo and Dean in 2023, I'd tell you that they had a real WCW C-Show vibe to them, that sort of Men At Work or Disorderly Conduct feel. Mean Mike and Tough Tom. Nothing wrong with that. My kind of thing. Good hands. Guys you want on a card. Guys who could put over people you want to push and make them look good in a five minute or seven minute or ten minute match, whatever time you had to fill. A good team, but a low ceiling as high energy babyfaces who could engage the crowd early in the night and do their job well. 

They have come so far from that point and I'd argue without a ton of machinery behind them. You want me to liken them to someone now? I'd compare them to DDP, someone who put in the work, honed his act, got better and better, and ultimately was undeniable. Obviously, they're not entirely (definitionally) undeniable yet, but no one that takes the time, seeks them out, and pays attention would think of denying them. Right now, I don't see a ceiling except for the imagination of bookers. 

They're an incredibly alive, immersive, engaged act. Constant movement, constant working (their opponents in the ring and on the apron, the ref, the camera, the crowd, each other, other members of STP at ringside), constant jawing, constant innovation. They keep adding to the act. That could be anything from Ishin Gundan style clubbering in the corner to Dean utilizing the Bronco Buster to Bravo sitting on the apron and talking to the camera or playing to Christyan XO at ringside. Bravo has fun strikes, and I think his crossover punch looks a good as almost anything else in AEW/ROH. 

And they manage all of this while leaning into the strengths of tag team wrestling instead of just letting it fall to excess and become a structureless mess. 

Look at the Eddie/Ortiz match. Ortiz scrapped with them early, but they managed a blind tag and took over on him. They cut off the ring in about six different ways: Dean knocked Ortiz from a neutral corner into the Infantry's with a European uppercut. When Ortiz tried to proactively fight his way out, they caught him and started the tandem clubbering. That drew Eddie in and when the ref pulled him back, they Dean took the initiative to choke Ortiz into the ropes with his foot. He tagged right before Ortiz could start to fight back and Bravo cut him off. 

Ortiz was great here, constantly fighting back and looking for opportunities. When Bravo put him up in the tree of woe so he could throw punches, Ortiz proved himself to be anything but helpless and started biting Bravo's hand. Bravo in turn, stomped away. That drew Eddie and Dean took advantage. Eddie chased Dean around ringside, Bravo ambushed him, and they both attacked Ortiz. This is just great tag team wrestling, great heeling, using the rules as something to push off of to create a compelling narrative instead of running from them in the name of "creativity." The things they were doing here were far more creative than most endless bomb spotfests, because it was all creative within meaningful boundaries. 

From there, it's more cutting off the ring. Bravo shot off with Garvin stomps to Ortiz' extremities, but each one drove him back towards Dean in the corner. Dean came in, worked a hold. Ortiz fought up, got some hope, got cut off to Eddie's chagrin, and they took back control in their corner. That meant a tandem whip in, the Carlie Crossover punch, and Dean adding insult to injury while Bravo talked to the camera. They're just an incredibly complete, multi-faceted act at this point. 

After drawing in Eddie one last time, the match made it to the hot tag, but only after making Ortiz really earn it. The belly-to-back suplex he got just opened the door; he still had to dodge one last attempt to cut the ring in half and roll his way to the corner. Things broke down accordingly. Eddie cleaned house, trapped Dean and then both in the corner with his Kobashi chops (stooging; another facet to the act), and Ortiz got some revenge with a spinebuster and tandem Russian Leg Sweep/STO.

They transitioned quickly from comeback to finishing stretch by breaking up a Doomsday Device attempt and then took it home sharply, focused, avoiding sixteen false finishes and going with a banana peel instead. They hit a powerplex, which I'm not sure I've ever seen them do. Ortiz broke up Boot Camp, Eddit got his exploder, Ortiz snuck out a a drive forward pin, and they cycled into the post-match with STP going on the assault and Mance Warner making the save, building to the next thing.

Really good, focused, character-driven, technically sound, dynamic tag team wrestling that was built upon all the fundamentals of building up pressure and letting it all boil over that the art form is all about. They could have had a similar match a couple of years ago, but it wouldn't have had the same over the top confidence that makes them stand out so much now. It's the combination of the two, the substance and the style, that makes the Infantry special. People may not always consciously notice the substance, but it's there as strongly as any other team in the company, and they've picked their own stylized lane when it comes to laying sizzle on top of it, the chip on their shoulder driving an aggression that sticks with you as a viewer. You could slot them anywhere on the card and they'd deliver. 

Between Eddie's frustration on the apron, Ortiz playing his role extremely well, and the Infantry owning every aspect of this match, this reminded me of an entirely different sort of WCW match, something like Horsemen vs Rich/Morton where it was still a TV match, still niche, still relatively low stakes, but where some of us still remember it very fondly.

AEW Dynamite 5/6/26

Kevin Knight vs Darby Allin

MD: This was a solid and clever progression from the previous couple of weeks. It started out as a babyface title match, and rarely do 2026 title matches really feel like traditional NWA style title matches in the build. This did. They began by wrestling. There's something really refreshing about that. It was character-driven too. Darby's dangerous on the mat, but Knight is dojo trained. He saw how Darby kept luring people or dragging them into endless escalation, into mutually assured destruction. Darby is, as previously noted, a cockroach, and I mean that in the most complimentary way. He survives the escalation when others cannot. That's how he wins.

For most of the match, Knight was ready for it and he kept his head. That meant sticking to wrestling for as long as possible. The problem, of course, is that Knight didn't get to fully decide. Darby is a proactive, engaged competitor, a champion, one who feels like he is fighting for his life. Where Knight slipped was when he let Darby control the pace. That's when they crashed into one another with flying clotheslines, when they started rope running only for Darby to change things up again and go to striking instead. In that regard, it really felt like a world title match, like a game of human chess.

Still, Knight showed restraint and maturity. Darby has a need for excess, a need to push things farther. It's how he wins but it's also how he feels alive. Kevin Knight? He feels plenty alive all the time. He's doing fine. He's living his best life while Darby's living the only life possible for him. So when he dropkicked Darby out of the ring, he didn't go diving after him. He took a beat, took a breath, slid out and kept control. Very smart pro wrestling.

Darby is, however, a raging river, and even the strongest dam can only hold off against the rapids for so long. Knight took every opportunity but Darby kept coming. He tried to go after the leg, but Darby would have no part in it. He tried to control the pace, but there was only so much he, or anyone else, could do.  Eventually, Knight could put up with no more. Darby positioned him into a chair on the floor like he'd done with previous opponents. Knight avoided their fate (usually a missile dropkick from the top downwards), but Darby ended up in the perfect position for an insane Knight aerial attack, and Knight couldn't refuse. 

The subsequent clothesline from the top over the announce table was spectacular but also clearly a strategic mistake. Knight came out of it worse off, hobbled. Darby was prone, but Knight was a half step slow in taking advantage. He followed up with the Coast to Coast dropkick that had previously taken out Darby (at least that's what they tell us), but despite that and the UFO that followed it, he couldn't cover Darby in time due to the injured leg. When Darby rolled away on a second attempt, Knight had no choice but to follow and he walked right into a trap: Darby kicked out the leg and got the guillotine that eventually set him up to win.

Overall, another strong title defense driven by Darby's penchant for escalation and his opponent having to weigh the cost/benefit of keeping up or pulling back. Knight had managed well right until he didn't. I'll be honest that I would have been happier if the finish was set up by Knight coming up short with the Coast to Coast due to the injury. There's a tendency for AEW to overdo finishes here. Knight wiping out on the Coast to Coast would have been just as dramatic as him hitting two huge moves but not being able to capitalize and would have gotten over the consequence of what happened even more. That's a nitpick though. Overall, this, like the previous two matches and the PAC match that followed was very good. Hell of a title run so far.

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