FOUND FOOTAGE FRIDAY: BABA vs. RUSHER~! BRET vs. SID~! PANTHER~! CASAS~! UG~! ATLANTIS~!

 
Giant Baba/Hiroshi Wajima vs. Goro Tsurumi/Rusher Kimura AJPW 3/27/88

MD: Classics drop from a while ago but no one else is going to cover this stuff at length. It was a lot of fun too. Tsurumi got in Wajima's face early and they honestly really went at it. I don't know if Wajima was just a bit further along in his development by this point or if Tsurumi brought the best out of him but they were slugging. Eventually Rusher got in and Wajima walked him to the corner and the crowd went nuts at the idea of Baba and Rusher (even in 88) facing off. Baba was so slick and self-aware too. He just dropped on his back and picked an ankle. Then he did the headlock > hammerlock > go behind and dropped on his back and did it again. Awesome stuff. After that, Rusher didn't break clean and just blistered him.That just pissed Baba off and he soon blocked a chop, hit the head chop, and was on the mat choking the life out of Rusher.

It wasn't until later on, a few exchanges and tags later (and after he hit the Bulldog on Wajima), that Rusher was finally able to chip away at him and knock him down. Baba mounted a big comeback though, turning a whip around into a neckbreaker drop. Tsurumi tried his luck and got headbutted for his trouble, and then Rusher made saves for him until Wajima was finally able to put him away. I had a lot of fun with it certainly. 

ER: We've been working our way through the entirety of All Japan's 3/27/88 show the last several months, like we're reviewing one song at a time from a Grateful Dead Hampton Coliseum show. We reviewed Big Bubba vs. Shunji Takano last month, we reviewed Isao Takagi vs. Tom Magee and Tommy Rich/Austin Idol vs. Great Kabuki/Tiger Mask II around Thanksgiving. Maybe we'll do Masa Fuchi vs. George Skaaland this summer. 

This is most exciting to me because it's Baba and Rusher Kimura on opposite sides of a tag. I've seen so many Baba/Rusher tags, so many visions of brotherhood, two men who always showed how much they cared for each other during their tags. Once they started teaming they never stopped. Rusher was always on Baba's side during their old man trios, so 1988 would be the last era to see any kind of Baba/Rusher interaction opposite each other. They love each other and don't want to hurt each other, and Rusher shows this by wearing a Giant Baba shirt to the ring!!! The looks they exchanged all match made this so special, and every look and exchange between them is special. On top of this dynamic, you have Goro Tsurumi shit talking Wajima during the ring intros, firing up Wajima to such temperature that he attacked Goro before Baba had even been announced. You could see faces of fans disappointed they wouldn't get to use their Baba-colored streamers. 

Rusher being the one to throw chops at Baba was inevitable, loud open slaps that Baba sold by folding cross-armed at the waist after finally blocking one and chopping Rusher. Baba vs. Rusher was more about gamesmanship, Goro vs. Wajima was hubris and irritability. Goro distracts the ref before mule kicking Wajima in the balls, pulling an inside cradle that Baba breaks up with a disdainful shoving boot from the apron, a real "knock it off, goofball" demeanor. When Rusher breaks up a pin by lightly pulling on Baba's leg, Baba rolls to his back and just looks at Rusher like his boyfriend just playfully pretended to trip over him while he was doing yoga. Wajima palms Goro's face and face slams him to the mat, and when Rusher comes in to save him, he turns right around and leaps through the ropes to the floor when he sees Baba is in position to stop him. I love them. I love what they had. 

Sycho Sid vs. Bret Hart [Cage] WWF MSG 3/16/97

MD: Great Sid bit coming out as he was startled by his own pyro, not afraid of it, but looking like he might lash out at it. Say what you will about thigh slapping, but Bret was the best damn strike stomper that ever struck. He stomped on his punches. He stomped on his kicks. He stomped on his headbutts. There's a sort of purity to it, a beauty, that wrestling can be this too, and it would not just be accepted, but seen as an immersive ideal. Almost instantly, it means that Sid's shots, though bigger arcs, don't feel quite as punchy because he's not stomping on every shot, just some. And of course, when Bret gets whipped into the corner (even back first), he's somehow able to hit in a way that makes the post crash into the cage to make a satisfying noise. Someone could write even more about the SOUND of Bret matches. But it's notable in passing for a paragraph here.

What Sid did do amazingly, however, was frame his action. At one point, after pulling Bret off the cage after he'd been trying to climb out, Sid lifted him up like he'd hit a fall away slam or backbreaker. He looked to the left abruptly, then to the right, these little stilted motions that brought you into the moment by taking you out of it. Then he ran Bret into the cage. He was so big and so strong he didn't have to do anything like that, but that's what made him not just a giant but a star. 

Finish of this was clever enough (if still bullshit like most escape the cage matches that involve the door). Bret had the Sharpshooter on, but that doesn't get him the win in a WWF escape the cage match. Sid was still able to get up and cut him off while climbing, but Sid sold the leg well when he tried to climb. That let Bret hit the huge superplex but Sid, despite being unable to climb, was able to crawl out the door just before Bret could drop.

ER: Cool blue bars MSG cage match just a week before WrestleMania, with something of note happening at all times. Bret gently stumbles during his entrance in a way you can tell really pissed him off, throwing off his entire walk to the ring. He tried to slap hands with a security guard and then ran into a guard on the other side of the aisle, completely rattled. Sid, meanwhile, is in control. Wet as hell, fist bumping everyone, entrance theme perfection. He reacts to his own pyro not like someone startled, but like someone who wasn't expecting pyro and had also never seen pyro before. Mystified, not rattled; curious, but upset. Sid wrestles like Cool Iron Mike Sharpe. Their movement and offense is identical. Body Glove elbow sleeve instead of forearm cast. The more you watch both the more undeniable it becomes. Their offense is thrown the exact same way. Sharpe was Vocal Sid with brown curls, Sid is wide eyed stoic Sharpe with blond curls.  

I've talked before about the audio on these Vault releases, and it really is like seeing wrestling from this era presented in a totally new way. Not having to mic down the crowd to hear any announcers is a marvel in itself, getting to hear individual fans through a full match, hearing how loud and heavy Sid is breathing after they did the first stretch of climbing, how LOUD the turnbuckles sound the three different times Bret gets run into them (two back first, the third his classic chest first), how the ring barely moves but explodes in sound when Bret is pressed off or Sid is superplexed. All the new revelations in sound leap out the entire match. When we wrote about a Goldust/Shawn Michaels ladder match last year, the sound of the ring was so incredible that it added to every bump and strike they did, and that was just as magnified here. A lot of this was arm strikes, Bret throwing his worked punches and Sid throwing his Iron Mike Sharpe arm swings. After Sid's first escape attempt, while Bret is fighting with him on the top rope, Bret's punches to Sid's body look outstanding. As Matt said, Bret is a stomper, a striker totally unseen in modern wrestling, but there's no stomping up top. 

After the match, after the big superplex, after Bret's sharpshooter failed and Sid was still able to crawl to the door that Bret must have forgot about (that stupid psychology wrinkle in every single WWF escape the cage match), there's an immaculate bridge and tunnel girl with her hair done up, trying to take a picture of Bret. He walks right past her on the aisle, and she reaches out to touch his shoulder. As he passes her and her hand makes full contact with him, all she can do in the aftermath is stare at her hand, no expression on her face. In her first physical brush with fame, she got to experience how oiled up and slimy pro wrestlers are, and her brain had no idea how to process this new information. 

Ultimo Guerrero/Atlantis vs. Negro Casas/Blue Panther CMLL 12/4/07 (?)

MD: This was a title match, worked like a title match, and it was refreshing to see in 2026. Primera had Casas vs Guerrero and they did fine, but the pairing of Blue Panther vs Atlantis was just great. Atlantis looked like a million bucks and some of that was on him and some of it was on Panther. Things built to everything breaking down and the tecnicos (Casas/Panther) won with simultaneous submissions (Scorpion by Casas, and a sort of Navarro inverted leglock by Panther). Segunda opened up when Panther went for it again on Guerrero only to get cut off. UG hit the senton de la muerte in the corner on both at once and after tossing them around a bit, Guerrero and Atlantis locked on a tandem submission on both at once (a sort of camel clutch on one while tied to the other and into an Octopus) that looked like a lot of fun.

Tercera had all the bombs you'd expect. There was a slight sense that the refs weren't allowing Casas to punch them because it was a title match and they were the tecnicos but once things went to the floor Casas unloaded. There was another great comeback moment where Guerrero missed in the corner and did his big knee bump over. Panther hit a tope on Atlantis while Casas hit his seated senton off the apron. Then he went and rubbed the head of some kid at ringside with a poncho, which is pure Casas. They followed it with nearfalls (including tandem power bombs) until GdA locked in tandem Atlantidas for the win. They celebrated big afterwards and it did feel like a big deal. Very good tag title match.

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Found Footage Friday: AJPW CLASSICS~! ABBY~! WAJIMA~! MAGEE~! TAKAGI~! IDOL~! RICH~! KABUKI~! TIGER MASK~!

Abdullah the Butcher vs. Hiroshi Wajima AJPW 1/2/88

MD: Abby had bigger fish to fry. His eyes were on Jumbo and Baba. Wajima was just a guy he had to babysit here. I'm not going back to see if this did ratings or not but I bet it did even as Wajima was less of a TV draw than he'd been the year before. I'll be honest. I started my AJPW chronological watch with 89 in part to avoid the guy. I kind of regret that now though not necessarily because of anything he did here. More because I would have liked to track every Tenryu match after his turn. But I'd say in small doses, i.e. this match, Wajima was pretty interesting to watch.

Here we got to see him through the lens of an Abdullah the Butcher that wanted the country of Japan to remember that he was a singular and formidable monster. 

Wajima would try a bunch of things. Abby would no sell them in the most bored and stoic way possible, hilarious to both me (despite myself) and the crowd at the time, and cut him off with the throat shot. The fans would chant Butcher over and over again. Then Abby would do some stylized karate shots and pose. It was something. To Abby's credit, it built to Wajima finally got him over and even though the first time that happened, Abby looked more bemused and surprised than anything else, it did sort of matter because of the mountain Wajima climbed. It would have just mattered more if it was, let's say, Isao Takagi (since he'll come up later) or Shunji Takano doing it and not someone who had been around main events for a while. Abby quickly had enough of that, hit a shoulder block and started laying in the elbow drops. Wajima kept putting his feet on the ropes and Abby got incensed and started going after anyone that moved with Baba making the save. Definitely a match that one experiences, this one.

ER: Another lifetime ago, I was the sole person on the Pro Wrestling Only All Japan 80s Nominating Committee to want this match as one of the 150 matches on the final set. I understand the need to keep someone like me in check on a group project like the 80s sets. We were cultivating something important and historical for a large group of people to see and experience. Setting new talking points and updating tastes and standards. All 150 slots were important. I sincerely wanted this Abby/Wajima match on the Final 150. I love it. It deserved to be on. The main argument against it was that some thought it was the clear 150th place finisher, which might be true. Some would rank it low because it's only 6.5 minutes bell to bell. It isn't a title change, it doesn't build to a hot finish, and obviously not enough voters went to the wall for Abdullah the Butcher matches, because he had no matches on the set. Hiroshi Wajima had three. So maybe we put this match on the set as the fourth Wajima match and the only Abby match, and it finishes last? Is that bad? 

The two last place matches, #149 and #150, wound up being two different Jumbo Tsuruta vs. Bruiser Brody matches. Their 1983 match was #149, their 1988 match was #150. That 1988 match was #150 on my own personal ballot, in full unanimous agreement with the mass voting bloc in finding Jumbo/Brody '88 to be the very worst match of the 150 best All Japan matches of the 80s. Did we need to have two different Jumbo/Brody matches on there if they were considered the two worst of the set? Every territory we did was going to have a match that finished dead last. There has to be a Worst Scorsese Movie. I always wanted to put a colorful match on the set as the one we thought would finish last. For the WWF set I wanted the best of the Bobby Heenan/Ultimate Warrior weasel suit matches (which didn't make the set). For the Memphis set Phil and I were the ones pushing for the Nightmare Freddy matches that finished dead last. 

Something has to finish last. Abdullah the Butcher should have been #150. Or #147. Time has proven me correct on this match. I love this match. It has incredible aura, incredible atmosphere, feels filled with danger and tension and unpredictability for its entire short runtime, and devolves into genuine spectacle in Korakuen. This match has intrigue. Abby had returned to Japan a few weeks earlier after a three year absence. He had primarily been a New Japan guy in the first half of the decade and now he was a New All Japan Guy. Abby looked like as big a superstar in 1988 as he had a decade earlier. I don't think we put enough respect on his 87-95 run. Watch this match and witness the power of his charisma. Add Wajima to the mix, who is one of my favorite kinds of wrestlers: Disgraced Former Sumo. He was a big name and had the greatest robe in wrestling. People respected him. 

Abdullah the Butcher clearly was not one of them. This whole match feels uncooperative and Abdullah lis a guy who just keeps fearlessly making an all time great sumo look like a chump. There is no fork stabbing. There is no blood. But there is a lot of Abdullah the Butcher no selling Wajima's strikes and looking at him with unblinking, unimpressed eyes. His head is the perfect shape and his expressions are incredible. He walks through or ignores every Wajima strike while throwing screaming taped finger thrusts into his throat, and after every one of those thrusts he does karate poses, a new one every strike. He steps repeatedly to a champion sumo and makes more poses and faces than you've ever seen him do. Wajima finally takes the hint and does a couple shoot throws, grabbing Abby by his sizable pants. Abby had finally been Gotten in a match where he disrespected Wajima over and over and over, and once he gets thrown he decides NOPE we're not doing that and runs into a legendary sumo with a full contact shoulderblock. He drops three running elbows onto Wajima's neck and chest. They're all rough.  

Abby is so disrespectful to Wajima - AND THEN SHOVES JOE HIGUCHI! HARD! - that it draws out Jumbo and Baba and every green-tracksuited undercarder. Abby spends 10 constantly enjoyable minutes avoiding physical interaction with Baba and Jumbo while throwing fingers at the throat of every tracksuit he sees. Jumbo is screaming at him while being held back. Baba takes his track jacket off and is walking around in track pants and no shirt, and I don't think I've ever seen him look more badass. Abby walks the rows of Korakuen flanked by TNT and Black Assassin, who isn't a guy anyone knows. It's the best. It's always intriguing, always entertaining. 

Here's the match that unanimously finished #150, which is extra appropriate because it was the main event of this very show, 3/27/88. We cover the Tom Magee and Tommy Rich/Austin Idol matches below. Watch this match, this 150th place finisher, and tell me it's better than the pure spectacle of Abby/Wajima. 

#150: 

Jumbo Tsuruta vs. Bruiser Brody AJPW 3/27/88

Also, I was the extreme high vote for one of the Wajima matches that made the final set. I had Wajima/Ishikawa vs. Tenryu/Hara 6/8/87 as my #4 match. #4! It finished #141. #141! I ranked a match #4 that finished in the bottom 6%! You can't get much farther apart than 4 and 141. I haven't watched that match since doing the set, 13 years ago. I'm going to watch it later. I'm justified 15 years later in my love for Abby/Wajima, let's see what shit I was working through in 2012 to be the extreme high Wajima voter: 

Hiroshi Wajima/Takashi Ishikawa vs. Genichiro Tenryu/Ashura Hara AJPW 6/8/87

[Watched it again, turns out I was completely right once again. This match rocks. It's four sumos all angry for different reasons, Tenryu and Wajima cannot stand each other, everyone takes unprofessional shots. Wajima sells Tenryu's enziguiris better than anyone, Hara clotheslines Wajima in the side of the face and Wajima pays him back with one that knocks Hara onto his head. Every second of it has aura and/or sumos hitting each other hard. Undeniable top All Japan match of the 80s.]

Tommy Rich/Austin Idol vs. Tiger Mask II/Great Kabuki AJPW 3/27/88

MD: You'll want to stick around for the post match where Idol gathers a crowd around him and starts to pose like crazy. That's the most interesting thing in this one but it's also legitimately interesting. The second most interesting thing is the chinlock he puts on Kabuki where he works it so hard that every vein in his neck looked like it'd pop. The sheets said that Idol and Rich didn't get over because the Japanese didn't know what to make of guys who mostly punched and I find that kind of absurd and dismissive. The third is that Rich/Idol come out to Roll with the Changes by REO Speedwagon. 

I didn't love the feeling out stuff here or the finishing stretch to be honest, but I did think the control on Kabuki where they went after his neck/throat with a bunch of headlock punches/throat shots and a great Rich neckbreaker, plus the aforementioned chinlock was all very good. Tiger Mask probably just wasn't the right guy to match up against these two?

ER: Rich and Idol come out to "Roll with the Changes" and I love it. Tommy Rich was still using REO Speedwagon in Japan when he worked WAR in 1993, when the song was 15 years old. The match rules because it's Idol and Rich working a Memphis tag with Kabuki going along with it, Idol and Rich cutting off the ring and throwing punches from real and comedic angles, Idol connecting with Japanese fans as an honest to god cult celebrity. Jerry Lawler got such an ice cold reaction in his limited Japanese work, but Idol grabs the attention of the All Japan crowd and them makes aloof faces like he doesn't understand why.  At one point Idol tags in and throws Great Pro Wrestling Punches while dropping to a knee, throws a snapmare that is actually a man flipping another man to his seat by the head, and then throws punches to a seated Kabuki and chokes him on the mat before running him face first into Tommy Rich's knee. It is everything I love about wrestling distilled into 15 seconds. When he throws headlock punches to Kabuki, Kabuki drops forward to his knees like his nose is broken. Tommy Rich hits a fistdrop off the middle buckle. Idol hooks his hands under Kabuki's chin and flexes his arms as he pulls his neck back over his knee, hair looking like a swag version of the Mark Davis cut, and all is right. Austin Idol had a connection with the Japanese crowds and even in loss, that cult status looms over the victorious Tiger Mask. Idol flexes his biceps in the crowd and the reaction makes it clear that the people want More. 

Tom Magee vs. Isao Takagi AJPW 3/27/88

MD:  Some of these have been out there more or less for a few years but we never covered them (it's hard to keep up with Classics) so they're really new enough. And this was quite the thing right here. Magee came out to Danger Zone like he was Masa Fuchi or something, stood on the top turnbuckle, dropped his cape, posed, and did a shooting star press into the ring right into a tumble. Hell of a thing. 

And you know, parts of this were competent. Sure he landed on Takagi with his first leapfrog and there was just a weirdness to some of what he did. He'd do a headscissors at an angle I've never quite seen it and grabbed the ropes not for heat so much as so he didn't fall over, while in a grounded headscissors. His strikes were stylized to say the least. He put his foot on Takagi's leg while holding an armbar, not to drive him down but to set up a drop toehold and I don't quite get that. Lots of little things like that, but the armdrags looked ok and he was spirited in his legdrops and kneedrops and hiptosses and what not. 

But really this was about the spin wheel kicks. His was basically a beesting, the chop of the spinwheelkick, where he got the edge of his foot into the midsection of Takagi. Takagi when he later reversed a whip and hit a charge and just careened at Magee, went foot first right into his face as he arced. And yes, right after that, Magee opened up in a big way, blood coming down his face. The match was over by that point though as he did a somersault to "dodge a charging Takagi", put in quotes for a reason and then did a belly to back position backbreaker which I've never seen before for a submission. Hell of an entrance though. 

ER: I don't really think Tom Magee is that much different than many guys who are pushed as a Fast Rising Star on the modern indy (or national television!) scene. He had great athleticism and actually had more offense than I realized, and he isn't as terrible as advertised when it comes to fitting that offense into an actual match. He feels like someone who could have been molded with more time, but wasn't given more time. That's nothing new. I liked some things he did, like his weird drop toehold, but the main thing he had going against him was the same thing he had going for him: He moved like an alien in the ring. If not like an alien, he moved like someone who had been given the implanted knowledge of pro wrestling, without actually having seen pro wrestling. There was no sense he had any understanding what pro wrestling was. 

Many of the things he does look "fine" but he does them as someone who doesn't know what he is doing, and the crowds can feel it. He is doing a kneedrop, he is doing a legdrop, he is doing a weird drop toehold, but he is doing them in a way that doesn't feel like pro wrestling, instead a memorized series of steps. Tom Magee memorized the sounds of the alphabet phonetically but cannot actually read or understand letters, and it is off-putting to the people there live, who love wrestling. If you gave an alien a recipe to make a pumpkin pie, but they had never tasted a pie or seen what a pie looked like, you would almost surely get some sort of creation that had similarities to pie while being grotesque in a way that aesthetically offended you. It's why Magee didn't seem to realize he was even bleeding from the nose and mouth after being hit by a spinning heel kick. He does not understand these humans, the ways they leak.

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Wajima Wednesday (Not a Thing)

Abdullah the Butcher vs. Hiroshi Wajima (AJPW 1/2/88)

Finally available online! The match that I begged and pleaded to be added to the AJPW 80s set, then when I realized it wasn't going to get the necessary votes I begged and pleased for it to be added to the AJPW 80s Extras. But it was done to no avail. This match did not bring the same level of joy to others as it did to me, and that's okay. It's about 7 minutes long, and it's mostly a squash, and it ends somewhat unsatisfactorily. So plenty of people will be left pretty flat when it's all over. But I love it. I love sumo guys getting into pro wrestling, but not all of them are going to work out well. Wajima is definitely one of the weaker sumo transplants. And 1988 was the tail end of his short couple years in pro wrestling. And Abby was having none of it. He does not treat Wajima as much of a threat in the least, which is kind of what makes the finishing run so much fun. This never feels unprofessional, but I'm curious just what was going on, as Abby pretty much goofs off all while dominating Wajima. Abby throws stiff throat thrusts ("throws throat thrusts" was alliteration I wasn't attempting) and blocks any attempt at Wajima offense. Wajima is playing along and bumping around nicely for Abby strikes, and really putting over all the chops and throat shots. Abby shuts him right down whenever he tries something, either shoving him off, kicking him in the stomach, or just doing wild eyed karate mannerisms. And it all builds up to Wajima finally getting into his sumo comfort zone. They get in close and you can see it happening, see Wajima adjusting his arms, see him hitching up Abby's very very large pants, and finally he gets a great throw, and then another one! And it's an awesome moment! And then Abby puts his curled boot down and beats him down, then squashes him with his perfect elbow drop. In another great moment, Wajima gets his boot on the ropes. And so Abby drops another brutal elbow. Still the boot finds rope. So Abby flies off into the opposite ropes for another squishing, and Joe Higuchi gets in the way to stop some of the punishment, so Abby just shoulderblocks Higuchi into the weekend. Match gets thrown out, elbow drops continue, then Baba and Jumbo come out in teal track suits and TNT comes out and Abby drops threats on the mic while throwing chairs at photographers.

And now you can finally see the match that THEY DIDN'T WANT YOU TO SEE. You know, because they know you value your time, most likely.

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