Found Footage Friday: STUDD~! WANZ~! COCOS~! NOSAWA~! MASADA~! FANTASMAS~!

Big John Studd vs. Otto Wanz CWA 12/20/83

MD: This is a 40 minute John Studd vs. Otto Wanz match from December 1983 found in the massive lot of tapes that @maskedwrestlers was able to rescue from Germany. Go hit him up if you want to see it. Obviously, I jumped at it. I covered a slew of Wanz matches years ago and he has excellent timing, hits hard, and has a singular connection with the crowd. As the 80s roll on, he becomes less and less mobile and while none of those skills fade, the matches do suffer a bit for it. Then there's Studd. In so many ways, he's the most human of the giants, emoting frustration, fear, hatred, resentment. He's a two-hundred pound stalling stooge in a much larger frame. It creates an amazing dissonance he can use to rile an audience, but that dissonance unfortunately carries over to not being particularly dynamic on offense. 

This overachieved and I think it did so because the environment maximized the opportunity for these two to lean into their strengths. This match takes place over nine rounds. There's a minute rest period with music playing in between each. While the narrative can build over rounds, it creates a clear break and bit of respite. Studd has a reputation of sitting in some fairly uninteresting holds and there's very little of that there. There were other advantages as well. Studd's height allows him to strike down and always have an excuse for getting back into the match. They're both massive and everything, from a lock-up to punch to a snap mare to one of them daring to go up to the turnbuckles feels weighty and consequential. The ten count to win added gravitas to every knockdown as well. Maybe most important of all is the fact that Otto is very good at working from underneath in holds, constantly moving his hands, constantly trying to fight his way to a different position. That's more than half the battle against Studd. The crowd was hot the whole way through. There were two camera angles here, spliced together; one picked up the crowd better than the other, but they were buzzing, constantly chanting "Otto, Otto".

If any one of these pieces dropped, it might have been a slog, but none of them did. Let's take it through the text itself. This is going to be a little dry but I want to make the case knowing people may not have forty minutes for this. Right from the get go, after the anthems, Studd was quick to shove Otto, to demand a test of strength. They locked up, shoved off, crashed off the ropes into each other and shook the entire arena. Studd struck downwards with elbows and clubbers. Otto would come back off the ropes with big meaty shots. Studd would attempt a chinlock, a standing one at the end of the second round with him peppering in a knee, and grounded ones in the third, but Otto was quick to get up and the third ended with him jamming Studd's mare and turning it around, to a big pop from the crowd. 

Otto pressed the advantage in the fourth round, dropping Studd with a single leg and then rowing along in time with the crowd's chants with a standing toehold. Otto had a way to make these interesting and entertaining, whether working on top or from the bottom. They had teased slamming each other earlier, but at the end of this round, riding his momentum, Otto finally got Studd up and over as the bell rang. Right after, I'm Still Standing played for the crowd and it felt like a high point in some DreamWorks animated movie. In the fifth, Studd, desperate, was able to get Otto out of the ring and brawled with him there. He caught him on the way back in and layed in some heavy shots. He couldn't hold back Wanz for long though and Otto controlled this middle portion fairly well, even through Studd's attempt to work his arm in the sixth. 

By the seventh round, Studd was at his wit's end. He demanded they announce over the house mic that he had previously said that Otto was going down in the seventh. Otto charged in, they slugged it out, and Otto got the best of him in the corner at hit his signature flip senton. Studd was a bedraggled, sweaty mess by this point. He managed a cheapshot and a corner  beatdown of his own, but Otto powered up and tosses Studd from the ring. There was a clear narrative throughline in all of this, and while it could have potentially been a bit more dramatic, the crowd wanted to see Otto fight back again and again and it led to what happened after the seventh. Instead of staying in his corner, Studd attacked between rounds. This was treated like a horrific offense, with officials and Wanz's second coming in only to get dispatched with ease by Studd to a chorus of boos. Studd beat Wanz around ringside before pulling down the corner pad and opening him up with the metal underneath. Otto was able to fire back at the bell but Studd had the advantage.

Studd pressed that advantage in the ninth, picking Otto up a couple of times with a level of aggression you wouldn't expect out of him at this point of the match, before crashing into the exposed post himself, and finally getting slayed for the ten count (if just barely) by an Otto pile driver. 

Between the round system and Otto's ability to work from underneath, this never slowed down for long. The level of motion may have been more subdued but how hard they hit didn't. Studd taking three or four big steps across the ring to lay a clothesline across Wanz' chest was absolutely impactful. And those times when they really moved, whether it be Studd missing an elbow drop or Wanz coming flying off the top with a big shot, meant all the more for the build. Lots of little bits of build and payoff throughout too, whether it was Otto hitting that slam or changing the trajectory of the match by jamming the mare attempt. They very much knew what they were doing and while I think this could have been even stronger if Studd took slightly more of the middle, that only made his egregious (and dissontant; why does someone so big have to do that!) cheating between the seventh and the eight mean all the more. This was an unquestioned accomplishment. They went forty minutes, never losing the crowd, always hitting hard, utilizing holds at times but not wearing out their welcome and never just sitting there, finishing strong.

ER: I always think of Matt as the Big John Studd Guy because Matt was the guy who really dove into what made Studd different from other big workers, learning his patterns and strengths better than anyone else I know. I think I was close to the trail. I remember talking to Phil about him years ago, tell Phil that Studd wasn't anywhere near as big as he was billed. I thought he had Big Dick Dudley or Col. DeBeers size and build and was a fake big man. A man with military posture like DeBeers or Nick Nolte in Who'll Stop the Rain. Adding size. But I was just being tricked by Studd's sometimes odd style, the smallest working giant we've ever had. Matt recognized it for the oddity it was and cracked the code on what the best assets of Studd were. So Matt covered this match well, as I knew he would. Matt left me the link to this match in the draft of our review and told me to "give myself time." I did, because of course I wanted to watch 40 minutes of a Giant and an Obese Regional Megastar. I love the fat regional babyface. I love Big Daddy. Imagine if Abdullah the Butcher was the big Puerto Rico babyface and Carlos Colon was the island's greatest heel? The feud would be even more blowaway great than their actual feud. 

This is 40 minutes of big man wrestling heaven, where two behemoths worked like rival lumbering mastodons punctuated by polka and electronic instrumental themed rest breaks. It was slow but always intense. Otto Wanz is a real favorite of mine. I love a country who gets behind a big fat guy who looks like a King of Fighters character, and is the kind of fat guy that looks more normal in a double strap singlet than he does in normal clothes. John Studd has some of the great understated gear in wrestling. The long white tights have literally never been pulled off better. The fit impeccable, the build never more impressive. John Studd looked like a tree of a man and Wanz looked like a Bill Plympton drawing. His face has this youthful woundability, and no matter how short or long any Wanz match is, it will be constantly filled with Otto chants. Otto is a master of falling into ropes in dramatic ways, hitting the bottom rope on Studd's short arm western lariats to the fucking face, falling sideways or chest first into them reeling from other strikes. 

This was not a stiff match but had the appearance of a stiff match, an exquisitely worked long match where every single impact had real weight behind it. The longer they worked, the more dramatic it felt. This felt like a true clash of the titans. Studd was not a cheating heel, and often he would call his shot in a more badass way than I've seen from anyone this side of Stan Hansen: multiple times pointing to his very large flexed forearm before swinging it straight at the bridge of Otto's nose. Every time either one of them fell or was knocked down felt like a major deal. The few spills through the ropes to the floor felt like major moments all, none bigger than Studd kicking Otto's ass around ringside while a worried man on the house mic pleads with him to stop and a large old man in a dinner jacket keeps getting dangerously involved. 

The drama and big match feel were so strong here that you wouldn't even need to know anything about Wanz or Studd. You would be easily able to see their appeal even though nobody else works quite like them. I loved the pacing of this, I loved how it felt like it really could have kept going a full hour. I knew Matt had my best interests in mind when leaving a 50 minute link to a Wanz/Studd match, but I never anticipated feeling robbed of a longer match. 

IWRG Retro 3/8/2001

Suicida/Coco Rojo/Coco Blanco vs. Payaso Misterioso/Nosawa/Masada

MD: More IWRG Retro. This is episode 27 which feels like a high number so I probably have to go back and see what I missed. This is the same show with the Santo/Silver King trios main event. This from the undercard definitely worked for me. Nice mix of Nosawa and Masada moving at high speed with Segura, including doing a great job of getting into position for his stuff and then everyone just playing into Los Cocos' act with a bunch of crowd pleasing comedy stuff. Payaso Misterioso had some heft to him so Segura bounced right off of him, but then he'd stumble into a shot from Rojo or Blanco to get knocked out of the ring, that sort of deal. The primera had the beatdown, the segunda the comedy in the comeback, and then they cycled through fairly quickly in the tercera. The finish had Los Cocos get the advantage on the Japanese with quebradoras into submissions, only for a third figure to come in to disrupt things. Probably Minoru Fujita? What we had here was a little clipped but it was 13 minutes of good fun overall.

Enterrador/Bombero Infernal/Black Metal vs. Fantasma/Fantasma Jr/Ultimo Vampiro

MD: Pretty complete trios match here. Fantasma Sr. was just over 50 here if I'm not mistaken. Jr. is his nephew and, alongside, Vampiro, rounded out the tecnico side with flying since Sr. wasn't going to do that.. The rudo side were better than the sum of their parts. Black Metal was tall and Enterrador ("Undertaker") was wide in an Abyss sort of way. Apparently he'd have a mask match with Ultimo Vampiro later that year and from what I saw here, I sort of wonder if that exists. (Edit: It does.). Point being, in the segunda especially, Bombero Infernal was directing traffic as a poor man's Satanico and it all went quite well. Fantasma, Sr. was very giving, allowing for his mask to get pulled in a big way. He was front and center for the comeback, moving out of the way of an Enterrador dropkick. Black Metal used his height to the fullest, first eating a double dropkick from Fantasma, Jr. and Vampiro and then basing for a huge over the top dive. The finish had Enterrador vs Fantasma where Fantasma fooled Bello Greco (who had ref duties here) by tossing his mask to a charging Enterrador to draw the DQ. Totally blatant, no way the ref should have been followed, but wildly charming at the same time.

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MLJ: Cavernario Spotlight 6: Black Metal, Metálico, Stigma vs Bárbaro Cavernario, Hijo del Signo, Hooligan

Aired 2013-06-29
taped 2013-06-25 @ Arena Mexico
Black Metal, Metálico, Stigma vs Bárbaro Cavernario, Hijo del Signo, Hooligan

This was sort of fun for a few reasons. First and foremost, it was Cavernario's debut at Arena Mexico. It was about a year and a half ago and he was just in the headlining trios match for the Tuesday show last week. I think that's a pretty good ascent. I've not seen a modern CMLL match without commentary, but that's what we have here. It was a little jarring, to be honest. Thankfully, I'd seen most of these guys in the previous matches so I was able to pick them out for the most part. I'll say this, the crowd seemed interesting in seeing Cavernario at least. He had a chant at one point when he was on the apron and when he played to the crowd, they responded.

This was also Metalico's debut and it could have gone better for him. There was a downright brutal exchange with Signo late in the match where I don't even know what they were going for. I'll call it an unfortunate and unnecessary flip followed by a really sad missed drop kick and then Metalico not really skidding out of the ring well to set himself up for a clumsy Signo tope. From what I've seen of Signo so far, he's best when he's playing a poor man's Fuerza, just sort of a dickish goony rudo. He really wasn't doing that here. Stigma did well mostly matched up against Cavernario and Hooligan was fine as a physical presence. I think, maybe, he didn't give enough in the match, including just hammering down after Black Metal's big moment (a tope from the inside onto the ramp) but I can kind of understand why he wouldn't.

The match itself was fairly subdued. It has to be hard to put together an Arena Mexico card, especially one with a bunch of trios, especially when you're doing it week in and week out. I rarely watch whole shows, though I do tend to follow things week to week when I can. You can only go to the same well so many times on a card without burning out the crowd. Therefore, the end to the primera was very abrupt: after the back and forth of the initial pairings, Signo came in, slammed Metalico, and splashed him for three.

Likewise, the 'comeback' was barely there at all. The beatdown was the best part of the match. Both Hooligan and Cavernario were well suited to just beat the crap out of their opponents and it was the brunt of the segunda. They cycled in one after the next with clubbering and triple kicks and one brutal groin corner dropkick by Hooligan. It only lasted a few minutes but they were good minutes and by the end of it, I was ready for a hot comeback. I didn't get one. Metalico reversed a triple team into a quick 'rana on Signo for three. It was one of those moments where the other rudos were supposed to be celebrating since they thought the move went their way, so they missed the pin, but Hooligan was staring right at it embarrassingly. The crowd was somewhere between bemused and confused about it.

Even though he ultimately went out in the tercera to a Stigma double underhook powerbomb, it did feel like Cavernario's debut party. He had a solid, if a bit rehearsed, showing on the mat with Stigma in the primera. He was front and center in the beatdown, really getting a chance to show off his sudden strikes that can make a rudo beatdown compelling. Then he got to hit a few of his big moves, the alley-oop dropkick in the segunda and a jump-back second rope splash and the clothesline backbreaker in the tercera.

It was only as good a match as the card placement and what we'll chalk up to nervousness in Metalico would let it be, but it was a good showing for Cavernario in a match where he really had to deliver. By this point it was pretty safe to say that he was well on his way.

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MLJ: Cavernario Spotlight 5: Black Metal, Pegasso, Tritón vs Bárbaro Cavernario, Espíritu Maligno, Skandalo

Aired 2013-07-17
taped 2013-06-24 @ Arena Puebla
Black Metal (Guadalajara), Pegasso, Tritón vs Bárbaro Cavernario, Espíritu Maligno, Skándalo

It's actually a lot of fun to watch some of these lower card, more provincial matches. This, for instance, was given a ton of time, and while it had some unpolished work, it was for the most part competent and I'm glad I saw it. In some ways the lack of the sort of polish you get with the upper card workers was what made it so interesting.

Triton almost felt like he was slumming here, but I could be wrong about that. I spent a chunk of a match being unable to figure out him out from Black Metal, and while that inspires a lovely sort of nostalgia in me of not being able to tell one luchador from another, it did get a little old by mid match. Skandalo is good at what he does, which is mainly kick people in the crotch and serve as a perfectly acceptable base for his opponents. There was one match in May of 2013, right before this one actually, where Skandalo and Kraneo were on different sides and it didn't make tape; that's got to be one of the great losses of our decade right there.

Structurally, this was A-B, B-A, C, which is to say that there was a pretty even shine with a slight tecnico advantage, followed by the rudos catching the tecnicos out of nowhere to end the primera, then a long beat down, followed by a quick comeback to end the segunda, and then a back and forth tercera leading into a finish. I'm not saying it's the best possible structure for a trios match, but it's definitely the most straightforward and by its nature, it's both fun and effective.

Here, given the time that the match got, everything was able to breathe. We had fully developed opening exchanges between Triton and Cavernario, Maligno and Black Metal, and Skanadlo, and Pegasso, the first two being mat based and pretty solid. I really like Cavernario's sliding leg pick. It broke down in the end, with the tecnicos gaining an advantage, but they ended up caught after an over-complicated alley oop into a powerbomb with Cavernario simultaneously hitting a great looking belly to back into a sort of pumphandle slam for three.

This, after a slight delay where it looked like the tecnicos were going to immediately fight back, led to an extended beat down, and to be honest, it might have gone on a little too long. The rudos worked well together and the tecnicos fed back into the ring one at a time, believably, to get beaten. Skandalo's offense where he had his partners hold his opponents in complex positions so he can dropkick them in ridiculous ways probably stood out the most.

Finally, the tecnicos came back by reversing a poetry in motion attempt in a triple corner charge. It was a nice spot, but loads of dropped selling. It didn't feel like an adrenaline burst or the rudos overextending and getting their comeuppance. It was just time to shift gears so Black Metal was magically recovered enough to hit the spot. A lot of matches manage that element of it better. The best part was Cavernario tripped into his Hamrick bump through the ropes but ending up stuck there so that he could eat a second rope legdrop while dangling. It looked far more organic than it should have been.

The tercera was back and forth with mostly solid exchanges. There was a Black Metal vs the World segment which could have worked better. Metal ended up flubbing a bit too much including a kip up. In the end the rudos took the advantage again but stumbled into a few miscommunication spots, allowing Black Metal and Triton to fly in with arm drags and follow them up with some great, giant dives. That cleared the ring for Pegasso to try to win it, but he was caught by Skandalo and his reverse pile driver to end the match. Not a great match but a fun one and a decent enough way to kill 25 minutes. Cavernario played his role well, as usual: solid in opening exchanges, in cut offs during beat downs, and in being clowned by the tecnicos when it's time to show ass.  

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MLJ: Cavernario Spotlight 4: Bárbaro Cavernario © vs Esfinge [OCCIDENTE MIDDLE] & Bárbaro Cavernario, Disturbio, Hijo del Signo vs Black Metal, Metálico, Molotov

Taped 2013-03-05 @ Arena Coliseo Guadalajara
Bárbaro Cavernario © vs Esfinge [OCCIDENTE MIDDLE]

7m43s in

This is really just clips from the tercera, but we skipped 4 months since the last match so I thought it was important to at least look at it. In the form we had it, this was pretty damn exciting actually. It's a shame we don't have the whole thing because you definitely learn different things from singles matches, especially title matches, than you do from trios. The dives with Cavernario missing his crazy flip but then finding a way to catch Esfinge from a prone position, were pretty nuts. The fact he managed that, protected his opponent, but still made it look good deserves a lot of credit. He really put a beating on his body, though, not just missing the dive but eating a Hamrick bump through the ropes which lead to another great Esfinge dive (this time a no hands Asai Moonsault to the floor). The finish was fairly clever as Esfinge gloated after his success, opening himself up to La cavernaria. There's so much ebb and flow to title matches that you can't get a good sense of them through clips, but what we saw here made me want to see more at least.

Taped 2013-06-23 @ Arena Coliseo Guadalajara
Bárbaro Cavernario, Disturbio, Hijo del Signo vs Black Metal, Metálico, Molotov

To sum up, there are five guys in this match I've never seen before. I find these opening matches on cards interesting because you get a lot of hard work and more attempts at innovation and trying different things. The flip side is that the work is both more collaborative and sloppier. More than that, though, a lot of the transitions and timing end up stilted. There's a lack of polish. One of my favorite things about lucha is that you rarely ever see the strings. Here you do.

So, five wrestlers I didn't know. I'm not sure I had a great sense of all of them by the end. Molotov has been wrestling for about ten years and I thought he was notably agile, but his opening matwork with Disturbio felt a lot like them just collaboratively trying to get to the next hold. Signo had a decent enough Fuerza act but it felt a little like a pale shadow. Still, he had the most distinct personality of the match outside of Cavenario. Metalico and Black Metal felt sort of interchangeable to me. They were both fairly capable as tecnicos drawing the crowd in and had a couple of good spots, which I'll mention in a minute. Disturbio was funny teasing a crane kick, but was fairly unmemorable in general.

The match was ultimately a mix of fun spots and good ideas and things that were blown. Black Metal let the rudos take over by foolishly running up their turnbuckles to hit a moonsault. He got punched repeatedly and knocked off the ropes instead. That started the beat down. I have in my notes "Molotov vs the world," which is usually when a tecnico fights off multiple rudo opponents; it's followed immediately by "world wins," which was followed by a couple of nice corner clotheslines and a boring Cavernario pin for the primera. He made up for it later though, because in the beatdown, his intensity really shined through. Cavernario, just by the way he worked his gimmick, can make a match like this feel more interesting. It's not stiffness necessarily, but angle of attack, if that makes sense. The way he comes at his opponent is just outlandish enough to stand out. His character work was definitely developed by this point. He was just an unfrozen caveman, but one savvy enough to point one way and watch as his partners swarmed the unassuming, fresh tecnico during a beatdown. He also did a Niebla-style comedic fall off the apron spot that seemed to get over pretty well.

The comeback was pretty tepid, just the usual ducking of a double clothesline and a rana. There was a bit of a revenge beatdown on the outside between falls, but we didn't get to see much of it before they went into the tercera reset. Here we had a decent amount of showcase sequence, with Molotov looking agile again and Metalico matched up well with Signo. He did do the most ridiculous spot, though, slowly rolling into a back somersault on the apron so that he could put on a headscissors takedown onto Signo who was on the floor. It was like watching horribly colored paint dry in the worst way. Ultimately, Disturbio and Black Metal had a pretty good set of pin exchanges, before they got each other eliminated on a double pin, which is not anything I've seen before in a trios match but it actually made a lot of sense and should probably be used more. From there, Cavernario and hit each other with a double clothesline and they teased another double pin as the opportunistic partners rushed in before clearing ther ring for Disturbio and Black Metal. That was followed by gallant (a really nice sunset flip done by hanging on to the midsection during a back drop in a way I've never seen before) and goofus (a really flubbed Alabama slam out of the corner), before Metalico locked in a nice submission for the win.

It's hard to rate matches like this relative to what I usually see. On a quality standpoint, they're not better, not even in the ballpark. On a fun standpoint, they can come close, though. What they are, first and foremost, is interesting. You see different trends in watching opening matches like these, some positive, some negative. What does stand out is how Cavernario, even more than a year ago, just popped in them, though.

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