NJPW 5/18/85
MD: Kim is a South Korean wrestler who shows up on these NJPW cards now and again. I can't say that he stands out much. I love Eadie, love him, one of my favorites, but in New Japan he is so often a gatekeeper, just an incredibly credible wall for people to push off against. He takes 90% of this. Still some neat small things like losing Kim early and then claiming he was oiled up. That sort of being alive within the match. All of his stuff looks mean and credible with both a killer neckbreaker and then a twisting drop down into a front facelock. He also whacks him with something outside of the ring to big effect. Kim does come back late and his stuff is middling, some good, some bad. Superstar drops down on him and nails him with a clothesline to end it.
ER: We don't have Hashimoto/Sano, or the Canek/Enrique Vera tag, but we have Masked Superstar throwing Finlay level clubs to Su Hong's chest and killer knees to the side of the head. I liked how Superstar held the ropes to block a single leg and just went right back to clubbing. Superstar kind of jams Su Hong up on his small pieces of offense, running too hard into dropkicks that really shouldn't have moved him but looked worse with how he treated them. His clothesline looked like a match finishing clothesline and there's a good chance I won't watch a Kim Su Hong match the rest of my life.
MD: Just a credible back and forth match. I wouldn't say any of the transitions were particularly interesting but everything looked good. SSM is a tank and St. Clair can hold his own. They traded advantages and holds. Machine had a nice leaping headbutt off the ropes and a killer clothesline. St. Clair turned a headlock into a backbreaker (by slipping out, not a Robinson backbreaker). Good finishing stretch where St. Clair got a nearfall on a sunset flip in but Machine was able to get a German for the win. Wakamatsu got involved pre-match even though Machine wanted nothing to do with him and then tried to attack SSM post match only to get thrashed for his trouble. Added a little spice to what would have otherwise been a meaty but straightforward midcard match.
ER: This crowd is so fired up for Super Strong Machine. He was getting clapping Misawa-type chants during his entrance. I wasn't expecting Tony St. Clair to look larger than Strong Machine. My mental pictures don't always give me accurate reads but both are 15-20 pounds in the opposite direction I picture them. Made it look good when Tony started hitting Machine. SSM can work real tough and St. Clair looked like he was moving him good with his back elbow and uppercut, sharp front chancery. His dropkick pushes up under the chin and he makes a whip into the buckles look like it made all his limbs go briefly numb. I like the way these two hit each other. St. Clair is great at leaning into lariats while selling how much he doesn't like taking them. Strong Machine has one of my favorite German suplexes. Both of them work exactly how Bret Hart would have worked New Japan in 1994.
Kengo Kimura/Seiji Sakaguchi vs. Adrian Adonis/Dick Murdoch (https://www.youtube.com/watch?v=5bqyZdnuwVU)
MD: Honestly, this is yet another all time Murdoch performance, and on a house show too. Granted, the stuff I loved here was stuff Meltzer wouldn't have liked anyway but what are you going to do about it. For instance, there's a moment in the middle where Sakaguchi's on a rampage. He takes out Adonis and then goes to the apron to get Murdoch and Murdoch moves to the other side of the post and the crowd cracks up. It's great. But it's such a tiny little wrestling thing. His reactions are great throughout. The way he takes the Inazuma leg lariat by covering his face like he'd just lost his nose is amazing. Dick Murdoch. Captain Redneck, or as they call him in NJPW, the Super Rodeo Machine.
This had a great heat on Kimura where he kept almost
coming back and Murdoch and Adonis would just make a quick tag.
Eventually, instead of going for a hold, he threw a dropkick instead and
made it to Sakaguchi. They did another bit of heat on Kimura and then a
big hot comeback. Everything ended up thrown out. Post match they had
both a great bit with a chair and being afraid of it and an even better
one of double elbowing the ref. Great stuff.
ER: Great Dick Murdoch handheld matches are the best, because not only do you get to see Dick Murdoch being the greatest pro wrestler, but it makes me think of DEAN. To take us back at least 15 years, the moment I always remember from Segunda Caida Radio - something I am not sure exists online anymore, but was loved by all the real SC Heads - was DEAN making fun of Meltzer for thinking Dick Murdoch was a guy who only worked for the cameras. By then we had a lot of handheld footage and had all seen Murdoch wrestling exactly the same as in all of his great matches. DEAN had seen Murdoch live. We were all talking about how great Dick Murdoch was, but DEAN was the one who saw him live and knew how good he was off camera. I always think about DEAN doing a bit as Murdoch, where he's dogging it in Korakuen and does a Don Knotts reaction when he sees a Japanese guy in the crowd with a huge 1985 camcorder.
This is the only match on this show that doesn't have a listed cagematch runtime, and I didn't realize it would be the longest match of the show. And in that time, Dick Murdoch kept putting on a performance that grew in elegance the longer they went, arguably peaking two minutes after the count out when he got cheers for beating up the referee and then running shenanigans around a chair swinging Kengo Kimura. The match goes long enough that we get several momentum shifts and each one peaks the action and story and Murdoch grows with the story. I think my favorite part was when he had been worked over for awhile and got to tag out, and he stayed in the ring shaking out and rubbing his arm after tagging in Adonis, not participating in but watching Adonis lay a beating on Kimura. The cattle branding looked like a wild rapids ride, his punches matched the energy at all times, and he sold Kimura's like they were the stiffest punches of the match. The fans treated him after the match like a charming folk hero.
MD: I am not at all a Cobra guy. I think some of his Rocco matches are really bad, for instance, as he tried to fill a post-Tiger Mask gap and ended up with the worst of two worlds. A lack of substance and not even all that much style. Action for the sake of action and the action tends to frankly just be okay. This was great though, and so much of that was on the contrast. Saito is the prototypical cruiserweight bully and he gave everything weight and heft as the two of them threw everything they had at each other.
That meant that when Cobra was going to do an unnecessary backflip charging at Saito in the corner, Saito would come back and take his head off with a lariat. Or if he'd get pushed off after a kick and do another backflip within the ring, Saito would dropkick him out and crush him with a dive. They worked it like a title match starting with holds and going back to them, building to big spots and exchanges, with meaningful momentum shifts usually based around a big reversal/mistake/missed move. As time went on they traded some really great pile drivers and the dives you'd expect. Saito got a German mid match but couldn't put away with it and down the stretch Cobra finally escalated to a Tiger Suplex for a win. Very good lost Jr. Heavyweight Title match.
ER: We don't really talk much about how cool Hiro Saito is, and for how long he was cool. He's cool in all the eras. He was cool when I started getting New Japan tapes in 2000, and he was a bleach blond black beard surf punk with a tight bod, punk groupies and surf licks. Cobra feels like a throwback in 1985 by comparison, and it's punk scum vs. Mil Mascaras. Cobra's Mil hits hard, and Saito keeps spiking Mil with martinetes. The crowd was real into Saito's grounded piledriver when Cobra tried standing out of a headscissors, and they kept coming alive when they see how tough and well worked. I knew it was really good when Cobra's cravat into a stump puller and how Saito slowly powers out of it by eventually digging into Cobra's mask and hitting a GREAT fistdrop. Direct, hard. His piledriver after is perfect. Two kids in the crowd invent TomK's famous Dueling Chant 15 years before he did while Saito takes a crazy bump getting dropkicked to the floor. Cobra's kip up to dropkick is as beautiful as anything by our most graceful lucha legends. Saito hits a massive tope that is what you want a tope to be. I was going to write about how Cobra's flying offense isn't as good as his matwork and hitting but then he hits a piledriver so good that I felt I shouldn't harp on his lesser offense. Hiro Saito is so good. He's such a hard bumper, and strong, and fast. His forceful kickout just after 3 is the exact right energy.
MD: I wasn't going to cover this one since it was already out there, but it's pretty remarkable. My gut says that this was during the period where Andre was really breaking down, before his surgery and the switch to the singlet, but also before he really figured out how to work his late era style. So he was left in there against Bundy not entirely sure what he could or couldn't do. And what he ended up doing was being as entertaining as humanly possible. Yes, they did the bit where Bundy walks up the ropes to try to escape a hold and gets dropped, but Andre's mannerisms and little dance moves in this one are all over the place. Little shuffle steps. Hand motions. Weird faces. Outright dancing. He doesn't do the Fargo Strut but basically everything else you can imagine. And the fans do respond to it. I mean, who knows. Maybe he was just ribbing, maybe he was drunk, but I've only ever seen him do one or two of these little crazy finger motions or screw around like this, not build a whole match around it.
ER: I think every single Andre match I write about has me talking about some little thing I've never seen Andre do before, and I always mean it. But this Andre is an entirely new Andre. This is a house show taped by some saint, and without it I'm not sure we ever get to see Andre as a dancing babyface. It's incredible. I've seen Andre do something that could be considered sassy before but never a full match of him working as Dusty Rhodes. It's incredible. It doesn't start right away, but when it starts it does not stop. It feels like it's going to be your standard great Andre performance, smothering the humongous Bundy, muscling him into corners, hooking him in heavy sleepers, and I was excited about how he was going to sell for Bundy's comebacks. But when things take a turn, they really take a turn. I certainly was not expecting Bundy to walk up the ropes like Bret when Andre had a sleeper locked on, a real Dig Up mentality, and when Andre just drops the big man flat the crowd erupts.
That's when Quirky Andre comes out. He makes the cuckoo sign, twirling his finger around his ear, and then does a kind of soft shoe routine, a little tap dance with a hard final step, like he's letting everyone in on his bit. If he'd had a cane and top hat it only would have made more sense. He keeps it up. While holding Bundy in another standing choke, he floats some butterfly steps, skipping in place in a movement that I have not once seen Andre do. He becomes Dusty Rhodes, flip flopping and flying. Bundy himself seems confused, he doesn't seem to understand the timing of the dancing and the strikes, leaning out of Andre's first punch after a perfect dance, so Andre has to catch him even harder with a backhand. This is truly an Andre I've never seen. Bundy takes a huge bump over the top to the floor and eventually just leaves, but not before more Andre dancing. How does history's greatest wrestler keep raising his stock? You think you've seen everything the biggest spectacle in wrestling history has done, but he keeps bringing out new tricks. This is no different than if a dancing babyface Stan Hansen match had just been discovered. It's bizarre, it's great, it's nothing you've seen. It's Andre.
Bob Backlund/Iron Mike Sharpe vs. Antonio Inoki/Tatsumi Fujinami (https://www.youtube.com/watch?v=PsW8GclZnt4)
MD: Honestly, I was here for Backlund vs Inoki and we really don't get that. What we do get is very good though. A lot of it is Sharpe being as vocal as humanly possible in a ring but entertaining and credible. Most of the rest, though, is Fujinami vs Backland and of course they match up so well. They matched up well years earlier and they match up even better now that Fujinami is a credible heavyweight. Right place, right time, smooth, slick, imapctful. And yes, they do a great short arm scissors sequence leading to the Gotch lift, just like you'd want. I just wanted a little bit more Inoki in here though.
ER: I went into this wanting the most Popeye noises ever heard in one wrestling match. This was our chance. I wanted to hear Backlund and Iron Mike Oh-Whoa-Whoa-Whoaing all over the ring in the only time these two ever tagged. But we didn't get that. Backlund ceded the constant vocals to Sharpe and Sharpe ran with them. Backlund was shockingly silent. 1985 Backlund is interesting. It's his first year at sea after his long reign on top. I wonder what drove him to wrestle that year, seeing how much he pulled back for several years after. He surely could have been working regular Japan schedules had he wanted to, so he clearly just didn't want to. He only worked this one short New Japan tour and now we have another small piece of it. Sharpe vs. Inoki is an amusing footnote. You look at this tag and you've never seen a more obvious Taking the Fall guy than Iron Mike. Backlund's matwork with Fujinami was something I could have seen a lot more of. The crowd was so into Backlund's slow powerful reversals, but most of this tag felt like it was just about to kick into gear and never really did.
Just a heads up, we can edit this somehow.
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ReplyDeleteNot sure what's going on with blogspot on these (the editing isn't permanent if you do it for instance), but I've added the links as text as well, so you can just C+P them as well.
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