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Friday, November 15, 2024

Found Footage Friday: OKI IN KOREA~! DUK~! HEEL TITO~! TOR~! IDOL~! PATERA~! BRET~! HAKUSHI~!


Kintaro Oki/Kim Duk vs. Dick Blood (Tito Santana)/Tor Kamata Korea 1978

MD: What an amazing find. Oki and Duk as native heroes. Plus we had that one Andre match where Tito and Chavo are his little buddies from 79 but this is some of the only heel Tito footage ever. It goes 40 with all sorts of pomp before and after the match (check out the robe on Oki) and is a fully fleshed out 2/3 falls match.

Tito isn't fully developed yet, but he's a stooging (lots of early headscissors foolery), big bumping (he must go over the top rope hard five times), dropkicking (the big finishing bit is Oki avoiding one of his dropkicks), heatseeking heel, as fiery as we'd expect. There are a couple of fun strike exchanges or flurries, especially in the third fall when he's kicking at Duk's wound leading to a huge comeback moment.

Duk's actually the standout here. Oki's fun on the mat once or twice and when he unleashes the headbutt (first in the corner as Santana was taking liberties, then against Kamata, driving him back on the outside, and finally to take out Tito to build to the finish) the crowd erupts but this is really much more the Duk show. He's super charismatic here, calling Tor into the ring, gesturing to him when he has control of Tito. After Tito won the first fall with a sunset flip in, Tor spends a chunk of the second, keeping him on the floor by knocking him off the apron again and again to the crowd's delight. You don't usually see a babyface king of the mountain bit but it worked here. He even had a football charge from a three point stance.

In the third fall, Tor pulls the pad back and opens him up with it, working over the wound like you'd want him to. When Oki finally gets in after Duk's big comeback shot on Tito, Tor tries to get Oki's head with the post, but he no sells it and takes out Tor which sets up the finish while Duk and Tor are brawling on the outside. This match was full of a lot of the conventions of the time but the roles were reversed and it made for just an amazing bit of lost footage.


Austin Idol vs. Ken Patera Memphis 9/5/83 

MD: This was on the Savoldi network and it's about as far from those Idol vs. Hansen matches as humanly possible. It's still really good but it's conventional as can be. You can shut your eyes and see this match play out for the most part, but the crowd was up the whole time and the performances were good and sometimes pro wrestling just works the way it's supposed to. 

Idol got the fans riled early which upset Patera. It was a contest between him waving them on and Patera posing. For a chunk of it Idol controlled the arm and teased punches to the fans' delight as Patera tried to cheat to get out by pulling the hair, that sort of thing. Patera got over on him and worked the back with a great bearhug. Idol was perfect in it, lilting sideways and appealing to the crowd to support him, appealing to God to look down and bless him, appealing to you, the viewer, decades later. Just a transcendent over the top selling of it.

He fought out but Patera cut him off with a reverse of a whip and a clothesline out of the corner and got on the full nelson. Idol climbed the turnbuckles for a double pin but apparently he got his shoulder up at the last second. Post match, he took out Hart, dodged Patera's jumping knee into the corner and put his leglock on him. Again, delighted crowd. As straightforward as could be and I wouldn't change a thing.

ER: Patera in '83 was such a feast for the eyes. He's constructed like a freak Rob Leifeld drawing; cut, but with incredible mass. You catch him at certain angles and it doesn't seem possible to be that rock solid and have so much space between your belly button and spine. It's incredible. Perhaps more incredible, is that Patera has that body but Idol is the one posing, and the posing is the best. It all happens when Idol holds the ropes on a whip and breaks out all these excellent little kneeling poses and flexes. And I just kept waiting for Patera to wreck him for it. It's a crime that Patera has that body and that power and mostly wrestles like a guy in a mid tier Russian gimmick, all clubbing and axe handling. I need more bearhugs, more presses, more whips with crazy pull strength. I wanted a Patera/Idol match and this felt more like a match that Idol could have had with Don Bass. I dug the way Idol sold Patera's grounded bearhug - I actually wish we got more bearhugging in this - and was excited to see how Idol would sell the full nelson. We didn't get him selling the full nelson, instead we got him doing one of the messiest, loose ropes versions of the Austin/Bret finish (yeah I know this was well before Austin/Bret but it sounds better than describing what happened). His missed knee into the corner, after the match, looked really cool with his size, wild that he used it in a post-match deal. I don't know enough about Patera to know if he's a guy who usually limits his bumping in a match and saves it for after.  




MD: Dark match from a taping. Honestly, I won't lie, I would have rather had Brad vs. Flair which lost the poll to this one. The best part of this was probably Hakushi's entrance in the cage which was moody and will stick with you. The biggest issue overall is that they went to too much selling too soon, before it was earned. Whenever Bret hit the ropes or the corner, there was a big clunking sound from the cage but he wasn't really selling cage shots from it. I'm not sure if he ever went into the cage. Instead, he got the early advantage but both of them crashed into each other in the first minute or two with a double clothesline and they went right into the labored slow attempts to escape for the next ten minutes. They probably should have led with an extra five minutes of action before that double clothesline spot instead?

There were bits I did like down the stretch. There were certain parallels, like Bret missing his second rope elbow drop and then Hakushi instead of leaving the cage, choosing to hit the diving headbutt and wiping out. Bret snuck in the five moves in interesting ways and yeah, sure, there was always the sense that they were trying to win, even if like I noted, the drama didn't quite feel earned. The finish was a superplex where Bret was able to recover first and scoot out and the fans responded to a lot of the big moments but this all felt just a little underwater to me due to that narrative choice early.

ER: I thought this was both really good, and felt unnecessarily long due to the narrative choice Matt pointed out. It's really strange, how much weight they each decided to give a double clothesline. The entire match can be divided into two, uneven parts, by that double clothesline. The single minute before the clotheslines was absolute fire, both men throwing worked strikes so great that the entire match could have been sustained by them. Hakushi throws a throat thrust (one of many, but one in particular) that sounds insanely loud, the crowd reacts to it like death, and Bret crumples from it like a hardened hand of stone had just smashed his trachea. This was a battle. 

Then there was a double clothesline that carried the weight of a thousand bad decisions. And that double clothesline seemed to double as the missing 6-7 minutes of work that led to both men being tired slow climbers the rest of the match. Here's what's important: I thought all of the slow climbing and tired selling was really good. That ring looked like unmoving concrete, and every bump Hakushi took off the ropes onto it was completely unforgiving. There are three different landings - before the insane match ending superplex - that had no give, no bounce, nothing but a man's skeleton absorbing his landing with no bounce. The speed they worked had actual drama, the crowd bit at the cage escapes, and the final 10 minutes of escalation felt right. It also made a 12 minute match feel like 20, instead of a 20 minute match that was missing an important 8 minutes. It's so weird. All of the elements we have are good, nothing is missing, it just feels incomplete and also too long as is. Bret's bumps into the buckles looked damaging as ever, and the superplex is something that I literally don't understand. I don't see how it's possible to be doing bumps like that when they "don't count". You watch that ring. It does not budge. Hakushi came off the literal top of the cage, suplexed onto a sidewalk, for a match that was never supposed to air, and is still wrestling 30 years later instead of in a chair. And I guess it's bizarre to me that, in a match that went on to have several high end skeleton-eroding bumps that should have naturally led to slow down, they paid so much more lip service to a double clothesline. 
 


2 comments:

  1. I'd have to look up the taping, but I wonder if the narrative choice in Bret/Hakushi (which I wasn't too fond of either) was because they'd both wrestled earlier in the show. Maybe even just before this match. Not sure, and it doesn't really help my viewing experience but might possibly contextualise it more.

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    1. HistoryOfWWE mentions Hakushi working Aldo Montoya during the taping but this was the only Bret match (this was a marathon taping for Superstars). They had worked each other the night before in Louisville on Raw

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