ICW No Holds Barred Vol 3 - Deathmatch Drive-In 7/4/20
Big Twan Tucker vs. Dominic Garrini
PAS: These two were scheduled to match up on AIW show Mania weekend and was one of my most anticipated matches. I believe these two have a great match in them, although this wasn't it. Being in an opener deathmatch in front of an unfamiliar crowd hurt this match a bit. We had some great moments, Twan is awesome at hot brawling openings to matches and they just went after each other to start with Dom killing him with Kawada kicks to the face. The first big lighttube shot was great with Garrini charging in only to get wasted by a lighttube. The match was hurt with a long set up section where Twan just kind of wandered around setting up tubes and boards while Garrini laid there, these matches really need corner men to do all of the construction. They never really brought the match back under control after that, and it was a lot of big spots with long set ups, so this ended up being a bit of a disappointment with some great individual pieces.
ER: I actually thought this was pretty great. This had great 90s backyard aesthetics, and Dom had the perfect look of a midwest backyard meathead. He's the friend who works overly stiff and wears shorts to school during cold weather months. Dom kicks the hell out of Twan, really hard kicks to the hamstrings and body, and both guys collect sick downward chops to the side of the neck. Twan took a bunch of real painful big man bumps, like crashing through a table with a sick flapjack, or getting tossed with a couple of strong Dom suplexes. The lighttube shots came off cool and gritty to me, adding that grit for the home stretch and elevating the match for me. Garrini ran headlong into a hard swung lighttube, just one of SO MANY examples we've seen of Garrini being a fearless talented meathead jock; the heavy boy's Darby Allin. The lighttube fight added to the grit and gave Garrini the aura of a cool Canon Group action star. Dom headbutting a lighttube into Twan's head is one of those great deathmatch comp moments. Garrini knows how to come off like a true backyard legend, as you suddenly get no sense whatsoever of his grappling accomplishments. Suddenly Garrini is a Cactus Jack acolyte and you see that in his cocked head as he's taking strikes, or Twan flattening him through a door with Dom as a backpack. It was under 10 minutes and always felt like a kickass yard fight.
56. Eddie Kingston vs. Bret Ison
PAS: This was Eddie's only pandemic indy match, and was an absolute masterclass at what makes him so special. His pandemic hair and beard looked totally badass and this was a standard match, no chairs or tubes just knuckles and knees. I loved the start of this as they began to exchange shots but Kingston gets popped with an elbow and before he could fire back just crumples to the ground, and the match went like that. Kingston was trying to use his hand speed and guile to stay in the pocket with a heavy hitter, landing these peppering palm strike combos to the head and body, but he kept getting caught with powerful one shot elbows and punches. Kingston is one of the great strikers in wrestling, but is even better at selling strikes and he does a great job making Ison look like he is beating Eddie to death. I wish Ison was 20% better in this match, he is pretty hit and miss with the force on his shots, sometimes he really nails Kingston, and sometimes the forearms come with a big foot stomp and not much force, also don't think the spinning backfist landed as cleanly as it needed to for it to be the finish. Still this was a heck of Kingston performance, glad to see he has got
ER: Quarantine Kingston with shaggy hair and bed beard is fantastic, the Unabomber Kingston era staggering his way into a fight. How did none of us realize that Kingston would make the greatest Bruiser Brody? Are we so visual that we need to see that shag? Kingston looks like a Puerto Rican Tex Cobb and it's tough to go back to smooth line Kingston after seeing this. It added a mountain man side to his character that has been absent before, made him come off like even more of a regional folk hero. Ison is a big goony Baron Corbin, and he's the kind of guy Kingston can make look like a threat just by selling his chops. Kingston's strike game was so great throughout, pivoting through different muscle memories and strategies, never looking out of his element or desperate, just someone looking to advance any way he can. He makes Ison's strikes look like they matter and lays in his rolling elbow. Kingston leaned into everything and made this feel like a genuine war, and while I wish Ison used his size much more than he does, he's someone that has no problem bashing limbs with wild men like Kingston. It's a pairing with a high floor, with a fired up Kingston performance keeping that floor high as hell. He even works blue afterwards in his folksy Lenny Bruce fireside 4th of July chat.
Eddy Only vs. Tim Donst
ER: I really liked how this started, with Only cementing himself as the heel by running the crowd down hard, and then getting wrecked by Donst, to the point where I was feeling sympathy for Only and the beating he was taking. Donst didn't really hold back on anything, and there was this stunned look on Only's face when Donst hit him as hard as he could with a plastic fat bat covered in tacks. Getting hit in the side of the head with one of those bats at full strength would hurt enough, but when it leaves dozens of tacks stuck into your head? Only looks at Donst like he can't believe Donst hit him as hard as he possibly could have, and then Donst does it again. Only is getting really battered, suplexed onto the grass, and it's this cool heel in peril with a cold babyface just punishing him. But at some point I am reminded why whatever Tim Donst is supposed to be doing does not work for me. He is so emotionless in the ring that he takes things beyond no selling, as not selling offense tends to at least bring some kind of character. He just acts like a man who is numb to all kind of pain, which could be cool...but if I was every other dude on a deathmatch card with him it would sure as hell he annoying to watch a guy get suplexed multiple times into tacks, crawl hands and knees through tacks, take a back bump off the apron through a board with cut up beer cans, get lighttubes kicked into his face, and sell it all by making a frowny face as if he were being admonished by his parents for missing curfew. I liked what Only brought to this, came off like a guy who was in actual pain while taking some gnarly shots, including getting a barbed wire board avalanched into him. I liked Donst's willingness to be crazy, loved his wild tope, but you have to make these weapons mean something. He is adamantly trying to make them mean less than anyone.
Eric Ryan vs. Alex Ocean
ER: I'll always go out of my way to watch Eric Ryan matches. He's one of my favorite brawlers and he's one of the greatest bleeders in wrestling history, no hyperbole. This match did not work for me at all, went way too long, and was pretty artless about how they got from A to B to C. However, Ryan bled great. He bled immediately, and it was some great blood. He headbutted a couple of lighttubes into Ocean's head, got color on his own head, and somehow wound up immediately cutting open his entire back. He had this gorgeous collection of streams running down his back that made him look like he was a see through human body vein diagram. There are a lot of painful moments here, but they all run together pretty quickly. It's crazy to me when someone is dragged across the mat through a bunch of broken glass, but there's such a weird focus on selling every single thing the same in a deathmatch. There really needs to be some expressive selling to get across some of this damage. Give me a guy screaming as he's being dragged across broken glass man. The kind of stuff that is more interesting to me is Ryan starting the match with a fork and quickly stabbing Ocean's arm when Ocean goes for a lock up. Ocean snatched the fork away, and Ryan simply grabbed another one out of his pocket. That moment had so much more creativity than just setting up props. The finish of the match sees Ryan attempt to mule kick a couple lighttubes over Ocean's face while holding a single crab, but he keeps missing and just heel kicking Ocean in the face. And guess what? Ocean getting kicked in the face looked more violent than any of the weapon shots. A death match with the brawling as the focus is just going to be better, and this felt like 18 minutes of them picking up and just moving onto the next prop.
Matthew Justice vs. Casanova Valentine
ER: I dug this match on paper and liked a lot of what they did, I just wish they didn't take 20 minutes to do it. Valentine has maybe my favorite look in deathmatch wrestling, like a gastric bypass Pig Champion, and I love blown out Justice epics. I thought they did a good job at working the deathmatch elements and not just arbitrarily rolling around in wire and glass. There was some build to this, and I liked how Justice hit Casanova's garden weasel out of his hands with a chair to start, instead of jumping right into some weaseling. They took those steps to ramp up their damage and make the eventual weaseling mean a bit more. If you start with Valentine breaking lighttubes over Justice's balls, then where can you go from there? The match is plagued by length and some unnecessary overbooking, with things like Riley Madison and Manders interference not really leading to anything that we couldn't have done without. People want to see Justice jump off high places, and he does that, and it rules. He hits a wild superfly splash off an SUV through a table, and we get to see Valentine really smoosh Justice later with his own big splash. A lot of the weapon stuff comes off kinda weak, as they were following a match that saw every possible weapon and attack you could need from a match, and this was just going to be repeating that. And it didn't help that the finish was a verrrry long time stand still moment of Mancer trying to light some fireworks that were attached to skewers, and the fireworks would not light. So you had poor Valentine kneeling there holding skewers into his own head, eyes fixed on Manders the entire time trying to light the damn things, Justice standing around waiting, and finally Justice calls an audible and just hits Valentine with a chair. I think they could have done what they did in half the time, and a 20 minute match ending with the flattest finish possible is always going to seem more disappointing.
Matt Tremont vs. Akira
ER: I really didn't like the start of this, as they sat down in chairs right at the bell and did the "barroom punch" spot and threw worked punches at each other. The crowd was the quietest during this than they were all night, so I can't say that it was working for them either. I don't like that spot anyway (although Akira and Mickie Knuckles made it obsolete with their take on it earlier this year), but starting off a match with it, with no build and nowhere to go, makes no sense to me. Tremont throws nice worked punches, but this crowd has seen some uggggly shots on this show, and they are not going to be moved by worked punches. And when Akira puts his hands behind his back and demands Tremont hit him, there isn't any drama in that either, as Tremont had already punched him 10 times without Akira bothering to defend. Some things work, and "some things work" is probably the thing I will find myself writing the most whenever I watch deathmatches. Akira gets that same cool blood streaming down his back that Eric Ryan got earlier, there's a cool battle over Akira trying to get Tremont up for a death valley driver, and Tremont really brains Akira with lighttubes when Akira was attempting a plancha. Akira gets a fairly deep slice under his breastbone from it, could have been a cool thing to build off. But, as with a lot of this, the build just seems scattered at best.
John Wayne Murdoch vs. Jeff King
ER: I thought this was a fantastic Jeff King performance, one of my favorite individual performances on the show. I am always going to love any wrestler who is referred to as an old timer (unless it's some cutesy fake old man gimmick) and King has had an interesting career. I knew him as a guy who would show up on IWA-MS shows in the 2000s, and then he disappeared for several years, coming back earlier this decade and slowly working himself into the deathmatch scene. He's probably younger than I am, but I love an old timer who is perhaps a fish out of water. Here he takes a furious beating from Murdoch, and every second of the match King felt like a man trying to prove himself to a scene. And at minimum, he certainly proved himself to me. He took a lot of punishment, and I think what makes a deathmatch worker appeal most to me is what their foundation is. I relate far more to the IWA-MS deathmatches because the core IWA style was rooted in southern wrestling. East coast DM style is much more big prop spots with less glue to get to those big moments, but King is a guy who feels more like a Memphis guy and that really works within a deathmatch. He takes big bumps and fills in downtime with nice punches, so there is less building structures and seeking weapons and more of a southern structure in its place. He gets really scared up here and I bought into his horror at the violence, like getting a gusset plate smashed onto his arm and punched into his head. He does a wild tope con giro through a table (Murdoch moved) and there were several moments of him taking an insane bump on missed offense. He hits a disgusting senton through several set up chairs, crushes Murdoch through barbed wire table with a backpack cannonball, and gets dropped through a chair by a Murdoch brainbuster. The finish is basically a botch but far more insane for it, as it's supposed to be a Murdoch superplex through a tubes covered table, but they set the table up WAY too close to the buckles. So, the superplex happens, but King flies PAST the table and Murdoch takes a back bump onto the table and spills off, both guys ending up worse off than if they had both gone through the table. Ugly fight, awesome King performance, and that's exciting for me as I hadn't seen the guy work in probably well over a decade.
John Wayne Murdoch vs. Nick Gage
ER: It's cool Gage made it out as a way to cap off the show, but I think his power is minimized a lot by showing up at the end of a show where every single match had one of the guys essentially "doing" Nick Gage. These are all going to be bloody fights, and by the time we get to the main event of these shows we have seen EVERYTHING. So even though Gage and Murdoch have the best "sitting in chairs while punching face" sequence on the show, it is also the third time we have seen that routine. Gage has charisma that brings a higher floor into his matches, and the energy he brings to a crowd is undeniable. He and Murdoch punch each other in the face, and I loved how Gage geared up, took a lot of shots, kicked his chair away and flew into Murdoch with a diving elbow. Both guys took some disgusting shots, like Gage getting thrown through a sliced cans board, and plenty of ugly bumps through chairs. Murdoch wins with a brainbuster on a bent to hell chair, which was sick and looked like something that should definitely finish a match. And, it did finish a match, literally right before this match. And that's kind the problem with shows like this. Even with an appropriate number of matches, it is incredibly hard to still WOW a viewer at the end of a show like this. We all learned that a long time ago, the best matches of a deathmatch tournament are almost always 1st round matches, and on a show like this where everyone is using mostly the same props you're going to see even more of the ideas being used up halfway through. A match like this would have played far better as the main event of a normal wrestling show, but this is the kind of match that drew a nice crowd so more power to these lunatics.
Labels: 2020 MOTY, Akira (US), Alex Ocean, Big Twan Tucker, Brett Ison, Casanova Valentine, Dominic Garrini, Eddie Kingston, Eddy Only, Eric Ryan, ICW, Jeff King, John Wayne Murdoch, Matt Justice, Matt Tremont, Nick Gage
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